120dB Films: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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'''Visuals:''' On ana black background, the camera quickly moves to the right to reveal an equalizer, with the bars synching to the music. The camera moves and zooms in tointo the numebrnumber "120". The bars start to blink rapidly. One bar under said number, moves up, and touches the bottom of the number. "FILMS" fades in in the bar. The bars continue to blink rapidly, before disappearing after a few seconds, in which the bar havinghas the said text disappearing as well, and "dB" and "FILMS" turn white.
 
'''Variant:'''

Revision as of 02:12, 17 May 2024



Background

This is the production company of Peter Graham.

1st Logo (June 23, 2006-July 12, 2013)

Visuals: On a black background, there is the text "120 dB f ilms". The first and last letters are in a script font, while "db" is in the same font for the alternate version of the Di Bonaventura Pictures logo, and "f" is in a very long script font. The logo zooms in for a while.

Technique: 2D animation.

Audio: The opening theme of the movie, or none.

Availability: Seen on The Great New Wonderful, Vamps, Welcome to the Jungle and Pawn Shop Chronicles.

2nd Logo (August 30, 2014-)


Visuals: On a black background, the camera quickly moves to the right to reveal an equalizer, with the bars synching to the music. The camera moves and zooms into the number "120". The bars start to blink rapidly. One bar under said number, moves up, and touches the bottom of the number. "FILMS" fades in in the bar. The bars continue to blink rapidly before disappearing after a few seconds, in which the bar has the said text disappearing as well, and "dB" and "FILMS" turn white.

Variant:

  • On Becoming, the sill variant is shown at the end of the credits.
  • On 5lbs of Pressure, the logo is written on a chalkboard.

Technique: 2D animation.

Audio: An upbeat electronic tune, the opening/closing theme, or none.

Availability: Debuted on Jackie & Ryan, and has appeared on every film ever since.

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