Al-Rehmat Pictures: Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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SuperMax124 (talk | contribs) m Text replacement - "Pakistani logos" to "Pakistan" |
SuperMax124 (talk | contribs) m Text replacement - "FX/SFX:" to "Technique:" |
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'''Logo:''' On a dark cloudy background with lightning, a pair of hands come from the right, which makes a circular like object appear. The hands and background then fade, as the object transforms into the company's name in Urdu on a black background. |
'''Logo:''' On a dark cloudy background with lightning, a pair of hands come from the right, which makes a circular like object appear. The hands and background then fade, as the object transforms into the company's name in Urdu on a black background. |
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''' |
'''Technique:''' The thunder, the hands, and the transformation of the text. |
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'''Music/Sounds:''' The sound of thunder, which so happens to be used in several other logos (like [[Ismail Production (Pakistan)| |
'''Music/Sounds:''' The sound of thunder, which so happens to be used in several other logos (like [[Ismail Production (Pakistan)| |
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Revision as of 23:48, 5 December 2022
Descriptions by
Roz1497
Captures by
Tabit
Editions by
Tabit
Video captures courtesy of
Damien L
Roz1497
Captures by
Tabit
Editions by
Tabit
Video captures courtesy of
Damien L
(June 3, 2005)
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Notice: this template has been replaced by {{Guidance}} and {{Guidance detail}}
 | This logo contains rapidly flashing images.
Please do not watch the videos of this logo if you are prone to seizures. |
Logo: On a dark cloudy background with lightning, a pair of hands come from the right, which makes a circular like object appear. The hands and background then fade, as the object transforms into the company's name in Urdu on a black background.
Technique: The thunder, the hands, and the transformation of the text.
Music/Sounds: The sound of thunder, which so happens to be used in several other logos (like Ismail Production).
Availability: Rare, only seen on Pappu Shahzada.
