Al Jazeera Productions: Difference between revisions
No edit summary |
mNo edit summary |
||
(15 intermediate revisions by 4 users not shown) | |||
Line 2: | Line 2: | ||
===Background=== |
===Background=== |
||
This is the production arm of Al Jazeera. |
This is the production arm of media conglomerate '''Al Jazeera'''. |
||
{{ImageTOC |
{{ImageTOC |
||
Line 23: | Line 23: | ||
</gallery> |
</gallery> |
||
''' |
'''Visuals:''' On a white background, the gold, Arabic text "الجزيرة" is stylized like a water droplet. Underneath it is the text "{{color|blue|'''ALJAZEERA'''}}". |
||
'''Variants:''' |
'''Variants:''' |
||
Line 32: | Line 32: | ||
* Sometimes, the logo is placed on a <u>dimly lit white background</u>. |
* Sometimes, the logo is placed on a <u>dimly lit white background</u>. |
||
'''Technique:''' |
'''Technique:''' A still, digital graphic. |
||
''' |
'''Audio:''' The ending theme of the program. |
||
'''Availability:''' |
'''Availability:''' This logo has appeared at least once on every program they have produced from this period. The shows that mainly use this logo include ''101 East'', ''People & Power'', ''Al Jazeera Investigations'', and ''Inside Iraq''. It also appeared on early documentaries from ''Fault Lines'' and ''Al Jazeera World''. These shows, alongside the logo itself, are intact on the network's English YouTube channel, website, among other sources. The final documentary to use this logo is "Beyond the Wall Part 2: From Germany to Bulgaria, What Happened to Hope?" from the ''People & Power'' series. |
||
===2nd Logo (November 28, 2006-)=== |
===2nd Logo (November 28, 2006-)=== |
||
Line 530: | Line 530: | ||
DEC8 Productions and Al Jazeera (2022) (From - the Witness documentary My Eternal Art Living with Stage IV Cancer).png |
DEC8 Productions and Al Jazeera (2022) (From - the Witness documentary My Eternal Art Living with Stage IV Cancer).png |
||
Disobedient Films and Al Jazeera (2020) (From - the Witness documentary The Mortician of Manila).png |
Disobedient Films and Al Jazeera (2020) (From - the Witness documentary The Mortician of Manila).png |
||
DOXY Films and Al Jazeera (2023) (From - the Witness documentary My Maysoon).png |
|||
Elefant and Al Jazeera (2020) (From - the WItness documentary India Elephants in My Backyard).png |
Elefant and Al Jazeera (2020) (From - the WItness documentary India Elephants in My Backyard).png |
||
Film Five and Al Jazeera (2020) (From - the Witness documentary Uganda's Lady Justice).png |
Film Five and Al Jazeera (2020) (From - the Witness documentary Uganda's Lady Justice).png |
||
Line 538: | Line 539: | ||
(H-M)= |
(H-M)= |
||
<gallery mode="packed" heights="200"> |
<gallery mode="packed" heights="200"> |
||
Indie Film and Al Jazeera (2023) (From - the Witness documentary No Place Like Home).png |
|||
IV Films and Al Jazeera (2023) (From - the Witness documentary The New Greatness Case).png |
|||
Juno Films and Al Jazeera (2020) (From - the Witness documentary Meet the Syrians The Story of a Refugee Family in the US).png |
Juno Films and Al Jazeera (2020) (From - the Witness documentary Meet the Syrians The Story of a Refugee Family in the US).png |
||
Laisart Production and Distribution and Al Jazeera (2023) (From - the Al Jazeera World documentary John Garang A Mysterious Death).png |
|||
LBx Africa, Steps, APO, Generation Africa, and Al Jazeera (2021) (From - the Witness documentary No Simple Way Home).png |
|||
Lisa Camillo and Al Jazeera (2020) (From - the Witness documentary Italy's COVID Hotline).png |
|||
Longshot Productions and Al Jazeera (2020) (From - the Witness documentary South Africa's Deadly Politics).png |
Longshot Productions and Al Jazeera (2020) (From - the Witness documentary South Africa's Deadly Politics).png |
||
Moon Dogs Films and Al Jazeera (2023) (From - the Witness documentary A Second Shot).png |
|||
Mosmax Media Group and Al Jazeera (2022) (From - the Witness documentary Deactivating Kenya’s Toxic Trolls).png |
Mosmax Media Group and Al Jazeera (2022) (From - the Witness documentary Deactivating Kenya’s Toxic Trolls).png |
||
Muzungu Productions and Al Jazeera (2021) (From - the Witness documentary Blood on our Side Mexico's Forensic Investigators).png |
Muzungu Productions and Al Jazeera (2021) (From - the Witness documentary Blood on our Side Mexico's Forensic Investigators).png |
||
Line 555: | Line 561: | ||
Ohlala Media and Al Jazeera (2020) (From - Ahmad the Architect Rebuilding Schools in Northeast Nigeria).png |
Ohlala Media and Al Jazeera (2020) (From - Ahmad the Architect Rebuilding Schools in Northeast Nigeria).png |
||
Pacha Films and Al Jazeera (2020) (From - the Witness documentary Dead Woman's Pass).png |
Pacha Films and Al Jazeera (2020) (From - the Witness documentary Dead Woman's Pass).png |
||
Pacha Films and Al Jazeera (2023) (From - the Witness documentary Monkey Man).png |
|||
Pursekey Productions, Screen Australia, and Al Jazeera (2023) (From - the Witness documentary This is Reality).png |
|||
</gallery> |
</gallery> |
||
{{!}}-{{!}} |
{{!}}-{{!}} |
||
(Q-S)= |
(Q-S)= |
||
<gallery mode="packed" heights="200"> |
<gallery mode="packed" heights="200"> |
||
Quraishi Films and Al Jazeera (2023) (From - the Witness documentary Taliban Palace).png |
|||
Recapto and Al Jazeera (2022) (From - the Witness documentary Land or Death).png |
Recapto and Al Jazeera (2022) (From - the Witness documentary Land or Death).png |
||
Revolution Films-Alef Multimedia-Al Jazeera (2022 - Eleven Days in May).png |
|||
Screen Australia, Judith Neilson Institute for Journalism and Ideas, and Al Jazeera (2021) (From - the Witness documentary Capturing Change Australia's Black Summer Warning).png |
Screen Australia, Judith Neilson Institute for Journalism and Ideas, and Al Jazeera (2021) (From - the Witness documentary Capturing Change Australia's Black Summer Warning).png |
||
Seventyone Films, Encompass Films, and Al Jazeera (2020) (From - the Witness documentary Riders Of Destiny Risking Life as a Child Jockey in Indonesia).png |
Seventyone Films, Encompass Films, and Al Jazeera (2020) (From - the Witness documentary Riders Of Destiny Risking Life as a Child Jockey in Indonesia).png |
||
Soc Doc Studios and Al Jazeera (2021) (From - the Witness documentary Reckoning with Laughter Noam Shuster returns to Israel).png |
Soc Doc Studios and Al Jazeera (2021) (From - the Witness documentary Reckoning with Laughter Noam Shuster returns to Israel).png |
||
Solaris2 Media, BFI Network, DOC Society, and Al Jazeera (2022) (From - the Witness documentary How Black Britons experienced racism in the shadow of COVID-19).png |
Solaris2 Media, BFI Network, DOC Society, and Al Jazeera (2022) (From - the Witness documentary How Black Britons experienced racism in the shadow of COVID-19).png |
||
Soilsiu Films and Al Jazeera (2023) (From - the Witness documentary Young Plato).png |
|||
Sorauren Pictures, Hotdocs, and Al Jazeera (2022) (From - the Witness documentary The Billboard Squad).png |
Sorauren Pictures, Hotdocs, and Al Jazeera (2022) (From - the Witness documentary The Billboard Squad).png |
||
Storytime Films and Al Jazeera (2020) (From - the Witness documentary Vikings vs Neo-Nazis Battling the Far Right in Sweden).png |
Storytime Films and Al Jazeera (2020) (From - the Witness documentary Vikings vs Neo-Nazis Battling the Far Right in Sweden).png |
||
Line 572: | Line 583: | ||
Tribeca Film Institute, Gambarbergerak, IF Then Shorts, In-Docs, and Al Jazeera (2020) (From - the Witness documentary How Far I'll Go).png |
Tribeca Film Institute, Gambarbergerak, IF Then Shorts, In-Docs, and Al Jazeera (2020) (From - the Witness documentary How Far I'll Go).png |
||
TVP and Al Jazeera (2022) (From - the Witness documentary A Sky Without Stars).png |
TVP and Al Jazeera (2022) (From - the Witness documentary A Sky Without Stars).png |
||
La Ventana Cine and Al Jazeera (2023) (From - the Witness documentary Surviving a Sinister Sect Chile’s Colonia Dignidad).png |
|||
We Are South Production Services Latin America and Al Jazeera (2021) (From - the Witness documentary Mapuche Teen Rap Queen).png |
We Are South Production Services Latin America and Al Jazeera (2021) (From - the Witness documentary Mapuche Teen Rap Queen).png |
||
Wild Mind Films and Al Jazeera (2020) (From - Women Make Science From the Lab to Lake Victoria).png |
Wild Mind Films and Al Jazeera (2020) (From - Women Make Science From the Lab to Lake Victoria).png |
||
Line 724: | Line 736: | ||
24 Saat and Al Jazeera (2021) (From - the Al Jazeera World documentary Minimalism in Turkey Journey to a Simple Life).png |
24 Saat and Al Jazeera (2021) (From - the Al Jazeera World documentary Minimalism in Turkey Journey to a Simple Life).png |
||
48 Film Production and Al Jazeera (2020) (From - Rim Banna The voice of Palestine).png |
48 Film Production and Al Jazeera (2020) (From - Rim Banna The voice of Palestine).png |
||
Art Productions and Al Jazeera (2023) (From - the Al Jazeera World documentary Sisters in Song Syria and Morocco).png |
|||
B.Pro Productions and Al Jazeera (2020) (From - the Al Jazeera World documentary Four Ramadan Songs).png |
B.Pro Productions and Al Jazeera (2020) (From - the Al Jazeera World documentary Four Ramadan Songs).png |
||
B.PRO Production and Al Jazeera (2022) (From - the Al Jazeera World documentary Shatila Camp The Price of Love).png |
|||
Disrupt Vidiyo and Al Jazeera (2022) (From - Hany El-Banna The man behind a major global charity).png |
Disrupt Vidiyo and Al Jazeera (2022) (From - Hany El-Banna The man behind a major global charity).png |
||
DJiMAS Productions and Al Jazeera (2020) (From - the Al Jazeera World documentary The Shame of My Name).png |
DJiMAS Productions and Al Jazeera (2020) (From - the Al Jazeera World documentary The Shame of My Name).png |
||
Dream Productions and Al Jazeera (2020) (From - the Al Jazeera World documentary Rehab Egypt Edge of Addiction).png |
Dream Productions and Al Jazeera (2020) (From - the Al Jazeera World documentary Rehab Egypt Edge of Addiction).png |
||
DZ Media and Al Jazeera (2023) (From - the Al Jazeera World documentary Sebeiba a Tuareg Festival).png |
|||
</gallery> |
</gallery> |
||
{{!}}-{{!}} |
{{!}}-{{!}} |
||
Line 740: | Line 755: | ||
(G-J)= |
(G-J)= |
||
<gallery mode="packed" heights="200"> |
<gallery mode="packed" heights="200"> |
||
Horizons for Media Production and Al Jazeera (2023) (From - the Al Jazeera World documentary Ramadan North and South).png |
|||
Hot Spot Films and Al Jazeera (2020) (From - Bosnian Leader Alija Izetbegovic From Prisoner to President).png |
Hot Spot Films and Al Jazeera (2020) (From - Bosnian Leader Alija Izetbegovic From Prisoner to President).png |
||
ICTV and Al Jazeera (2023) (From - the Al Jazeera World documentary Waiting on the Bench).png |
|||
iFG Media Group and Al Jazeera (2020) (From - Saudi Women Reform or Repression).png |
iFG Media Group and Al Jazeera (2020) (From - Saudi Women Reform or Repression).png |
||
JWan, New Productions, and Al Jazeera (2020) (From - Songs for the love of Palestine).png |
JWan, New Productions, and Al Jazeera (2020) (From - Songs for the love of Palestine).png |
||
Line 747: | Line 764: | ||
(K-M)= |
(K-M)= |
||
<gallery mode="packed" heights="200"> |
<gallery mode="packed" heights="200"> |
||
Mashahid and Al Jazeera (2023) (From - the Al Jazeera World documentary One Family One Team).png |
|||
Mashahid Art & Film and Al Jazeera (2022) (From - the Al Jazeera World documentary Samaritan Weddings Signed, Sealed, Delivered).png |
Mashahid Art & Film and Al Jazeera (2022) (From - the Al Jazeera World documentary Samaritan Weddings Signed, Sealed, Delivered).png |
||
Media Town and Al Jazeera (2022) (From - Palestine 1920 The Other Side of the Palestinian Story).png |
Media Town and Al Jazeera (2022) (From - Palestine 1920 The Other Side of the Palestinian Story).png |
||
Line 755: | Line 773: | ||
(N-P)= |
(N-P)= |
||
<gallery mode="packed" heights="200"> |
<gallery mode="packed" heights="200"> |
||
NAP and Al Jazeera (2022) (From - the Al Jazeera World documentary Deposing the Last Monarch of Tunisia).png |
|||
Narrative X Media and Al Jazeera (2022) (From - the Al Jazeera World documentary The Colours of Home).png |
Narrative X Media and Al Jazeera (2022) (From - the Al Jazeera World documentary The Colours of Home).png |
||
New Productions and Al Jazeera (2023) (From - the Al Jazeera World documentary Sisters in Song Jordan and Egypt).png |
|||
Newstime Productions and Al Jazeera (2022) (From - The 1960s in the Arab World episode 1).png |
Newstime Productions and Al Jazeera (2022) (From - The 1960s in the Arab World episode 1).png |
||
Noon Films and Al Jazeera (2022) (From - the Al Jazeera World documentary The Arab world in the 1970s episode 1).png |
|||
Palacios Films and Al Jazeera (2021) (From - In Search of My Roots).png |
Palacios Films and Al Jazeera (2021) (From - In Search of My Roots).png |
||
Palacios Films, Light Film & Media, NAP, and Al Jazeera (2020) (From - the Al Jazeera World documentary Savouring the Past).png |
Palacios Films, Light Film & Media, NAP, and Al Jazeera (2020) (From - the Al Jazeera World documentary Savouring the Past).png |
||
Line 783: | Line 804: | ||
</tabber> |
</tabber> |
||
''' |
'''Visuals:''' On a white background, the logo from before is on top of a blue bar consisting of a co-production disclaimer, reading "A (co-producer's name) Production for Al Jazeera". The logo is aligned to the right to make room for the co-producer's logo on the left. |
||
'''Variants:''' |
'''Variants:''' |
||
* Over the years, the logo has went through several <u>slight redesigns</u> from alterations of the bar's shade color to the font of the co-production disclaimer. |
* Over the years, the logo has went through several <u>slight redesigns</u> from alterations of the bar's shade color to the font of the co-production disclaimer. |
||
** The <u>first version</u> consists of a nearly pure blue bar with text set to Arial Black. This version was used until February 22, 2015. |
** The <u>first version</u> consists of a nearly pure blue bar with text set to Arial Black. This version was used until February 22, 2015. |
||
** The <u>2010 version</u> has a blue bar of varying shades (usually in |
** The <u>2010 version</u> has a blue bar of varying shades (usually in rhino) and the text is in Helvetica. |
||
** The <u>2012 version</u> uses a |
** The <u>2012 version</u> uses a dark blue bar and text set to a thin font. Additionally, the company name is within an outlined rectangular box in the same color. |
||
** <u>Several documentaries in 2015 and one in 2016</u> use a |
** <u>Several documentaries in 2015 and one in 2016</u> use a cerulean bar and text in Arial Bold, plus a shadow underneath. |
||
* On ''<u>Al Jazeera World</u>'', a copy of the water droplet logo is positioned in between both its and the co-producer's logos. Underneath it is the company name, sometimes with "Documentary" added, in Arabic. |
* On ''<u>Al Jazeera World</u>'', a copy of the water droplet logo is positioned in between both its and the co-producer's logos. Underneath it is the company name, sometimes with "Documentary" added, in Arabic. |
||
** A variant exists where the left copy is <u>textless</u>. |
** A variant exists where the left copy is <u>textless</u>. |
||
Line 805: | Line 826: | ||
* On ''<u>Broadband Bruce: Fighting Canada's Digital Divide</u>'', the logo is slightly squished. |
* On ''<u>Broadband Bruce: Fighting Canada's Digital Divide</u>'', the logo is slightly squished. |
||
'''Technique:''' |
'''Technique:''' A still, digital graphic. |
||
''' |
'''Audio:''' The ending theme of the program. |
||
'''Availability:''' |
'''Availability:''' Can be seen on most documentaries from the ''Witness'' and ''Al Jazeera World'' series. However, some such as "Photographing the Exodus, Avalon" use the previous logo. |
||
* The standalone version can be seen on "An Iraqi Refugee's Search for His Missing Son", "Sudan's Forgotten Films", "Um Sultan Jordan's Matchmaker", among many others. The double logo variant with no co-producers is about as easy to find as the regular standalone version; it can be found on "Death of Aleppo", "Divorce in Lebanon", and "Egypt Made in China", all from ''Al Jazeera World''. |
* The standalone version can be seen on "An Iraqi Refugee's Search for His Missing Son", "Sudan's Forgotten Films", "Um Sultan Jordan's Matchmaker", among many others. The double logo variant with no co-producers is about as easy to find as the regular standalone version; it can be found on "Death of Aleppo", "Divorce in Lebanon", and "Egypt Made in China", all from ''Al Jazeera World''. |
||
* The 2006 variant was seen on late 2000's documentaries from aforementioned series, one of which being "China Orphans" from ''Witness''. The last documentary to use this variant was "Poland: Bartek's Getaway Bus". |
* The 2006 variant was seen on late 2000's documentaries from aforementioned series, one of which being "China Orphans" from ''Witness''. The last documentary to use this variant was "Poland: Bartek's Getaway Bus". |
||
Line 823: | Line 844: | ||
</gallery> |
</gallery> |
||
''' |
'''Visuals:''' On a light blue background with a radial white gradient in the center, the Arab text from before in a changing gold-gold gradient is seen forming through a spinning animation with letters getting absorbed into the sequence. Already formed below is the text from before. |
||
'''Variants:''' |
'''Variants:''' |
||
Line 831: | Line 852: | ||
'''Technique:''' 2D animation. |
'''Technique:''' 2D animation. |
||
''' |
'''Audio:''' The ending theme of the program. |
||
'''Availability:''' |
'''Availability:''' The logo first appeared as an opening logo for some ''Fault Lines'' documentaries such as "Health Care Reform". It would become the main logo used for ''Al Jazeera Correspondent'' from 2012 to 2014 (2011 episodes use the 1st logo). It has also appeared on ''Orphans of the Sahara''. |
||
===4th Logo (2011-February 9, 2018)=== |
===4th Logo (2011-February 9, 2018)=== |
||
Line 844: | Line 865: | ||
</gallery> |
</gallery> |
||
''' |
'''Visuals:''' On a black background, the animation sequence from before plays with the logo in white. Shortly before it finishes forming, the company name fade in one letter at a time, followed by the copyright year. |
||
'''Variants:''' |
'''Variants:''' |
||
Line 856: | Line 877: | ||
'''Technique:''' 2D animation. |
'''Technique:''' 2D animation. |
||
''' |
'''Audio:''' The ending theme of the program. |
||
'''Availability:''' |
'''Availability:''' It can be seen on ''Fault Lines'' documentaries from 2011 to 2014 such as "This is Antifa". It also appeared on some ''Witness'' and ''The Big Picture'' documentaries like "Return to L'Aquila: Broken Promises" and "Dream on Hold" for the former series. |
||
===5th Logo (March 19, 2014?-December 19, 2019)=== |
===5th Logo (March 19, 2014?-December 19, 2019)=== |
||
Line 865: | Line 886: | ||
</gallery> |
</gallery> |
||
''' |
'''Visuals:''' On a black background, various warped Arabic letters in a metallic texture wipe in and are drawn from there. They are also slightly moving to fill up the droplet shape. Before this sequence ends, the company name fades in. |
||
'''Technique:''' CGI |
'''Technique:''' CGI. |
||
''' |
'''Audio:''' The ending theme of the program. |
||
'''Availability:''' |
'''Availability:''' It was used on most documentaries from ''Fault Lines'' in the mid-to-late 2010's such as "Chasing Bail". In its last few months, it replaced the 1st logo on ''101 East'' and ''People & Power'' documentaries starting August 1, 2019 such as "China: Smuggling For Survival", "Cambodia's Casino Gamble", and "Top of the Class: Inside Singapore's Education System", the latter of which is this logo's last appearance. |
||
===6th Logo (January 9, 2020-)=== |
===6th Logo (January 9, 2020-)=== |
||
Line 878: | Line 899: | ||
</gallery> |
</gallery> |
||
''' |
'''Visuals:''' At the end of the program, a rectangular cut-out mask crops out the last shot by shrinking, revealing a white background. Before it almost disappears, it becomes a blue, wide rectangle and opens itself, revealing the company name in the same style as the previous logos. It slides down, allowing the water droplet symbol to fade in. Lastly, the company's website link fades in below. |
||
'''Technique:''' 2D animation. |
'''Technique:''' 2D animation. |
||
''' |
'''Audio:''' The ending theme of the program. |
||
'''Availability:''' |
'''Availability:''' It replaced the previous logo on recent documentaries from ''101 East'' and ''Power & People'' as well as appearing on ''Al Jazeera Correspondent''. It debuted on the ''101 East'' documentary "Thailand's Master Forger". |
||
[[Category:Qatari television logos]] |
[[Category:Qatari television logos]] |
Latest revision as of 11:35, 16 August 2024
Camenati
Background
This is the production arm of media conglomerate Al Jazeera.
1st Logo (November 28, 2006-January 16, 2020)
Visuals: On a white background, the gold, Arabic text "الجزيرة" is stylized like a water droplet. Underneath it is the text "ALJAZEERA".
Variants:
- The color of the text may vary.
- Sometimes, the size of the logo is small.
- On Enemy of Enemies: The Rise of ISIL, the logo is black.
- A variant exists reflecting the channel's mass media company, Al Jazeera Media Network. Both its Arabic and English name are displayed.
- Sometimes, the logo is placed on a dimly lit white background.
Technique: A still, digital graphic.
Audio: The ending theme of the program.
Availability: This logo has appeared at least once on every program they have produced from this period. The shows that mainly use this logo include 101 East, People & Power, Al Jazeera Investigations, and Inside Iraq. It also appeared on early documentaries from Fault Lines and Al Jazeera World. These shows, alongside the logo itself, are intact on the network's English YouTube channel, website, among other sources. The final documentary to use this logo is "Beyond the Wall Part 2: From Germany to Bulgaria, What Happened to Hope?" from the People & Power series.
2nd Logo (November 28, 2006-)
Visuals: On a white background, the logo from before is on top of a blue bar consisting of a co-production disclaimer, reading "A (co-producer's name) Production for Al Jazeera". The logo is aligned to the right to make room for the co-producer's logo on the left.
Variants:
- Over the years, the logo has went through several slight redesigns from alterations of the bar's shade color to the font of the co-production disclaimer.
- The first version consists of a nearly pure blue bar with text set to Arial Black. This version was used until February 22, 2015.
- The 2010 version has a blue bar of varying shades (usually in rhino) and the text is in Helvetica.
- The 2012 version uses a dark blue bar and text set to a thin font. Additionally, the company name is within an outlined rectangular box in the same color.
- Several documentaries in 2015 and one in 2016 use a cerulean bar and text in Arial Bold, plus a shadow underneath.
- On Al Jazeera World, a copy of the water droplet logo is positioned in between both its and the co-producer's logos. Underneath it is the company name, sometimes with "Documentary" added, in Arabic.
- A variant exists where the left copy is textless.
- Sometimes, the Arabic text may read "Al-Jazeera Channel". The latter word is not bolded unlike the channel name.
- The Arabic text may also be accompanied with "DOCUMENTARY" underneath.
- On a few documentaries, it is entirely in English.
- On From Lebanon to Africa, the English and Arabic logos swapped places.
- In some cases, the Arabic logo is more aligned to the left.
- Sometimes, only the Al Jazeera logo is shown where it is centered.
- The disclaimer may include an individual's name (e.g. Ashraf Soudy).
- Sometimes, the Al Jazeera logo is on the left side of the screen.
- On some documentaries such as The Mortician of Manilla, the Al Jazeera logo is shifted more towards the right. This is because it uses the same layout from the Al Jazeera World variant but with the left copy removed.
- On The Dentist from New Jersey, a thin, vertical bar is seen on the right section of the white section of the logo.
- On Broadband Bruce: Fighting Canada's Digital Divide, the logo is slightly squished.
Technique: A still, digital graphic.
Audio: The ending theme of the program.
Availability: Can be seen on most documentaries from the Witness and Al Jazeera World series. However, some such as "Photographing the Exodus, Avalon" use the previous logo.
- The standalone version can be seen on "An Iraqi Refugee's Search for His Missing Son", "Sudan's Forgotten Films", "Um Sultan Jordan's Matchmaker", among many others. The double logo variant with no co-producers is about as easy to find as the regular standalone version; it can be found on "Death of Aleppo", "Divorce in Lebanon", and "Egypt Made in China", all from Al Jazeera World.
- The 2006 variant was seen on late 2000's documentaries from aforementioned series, one of which being "China Orphans" from Witness. The last documentary to use this variant was "Poland: Bartek's Getaway Bus".
- The 2010 variant is the easiest to find out of all the versions, having been used for approximately a decade. It debuted on the Al Jazeera World documentary "Looting the Holy Land" and replaced the above version on most documentaries beginning 2013. Prior to that year, this variant was found on the standalone versions, most notably Al Jazeera World's on documentaries such as "Curse of the Sands".
- As for the 2012 variant, it debuted on the Al Jazeera World documentary "Srebrenica massacre: Women Who Refuse to Die" , but was rarely used prior to 2020, when it became the main variant used on all documentaries from Witness and Al Jazeera World. Currently used, it is seen on recent documentaries including "Dispatches from Sudan's Revolution", "Mapuche: Teen Rap Queen", and "Land or Death", among others.
- The 2015 variant was short lived; it was first seen on "Defendant 5" and lastly on "Bulgaria In the Valley of Guns and Roses". It appeared on several documentaries from said year and was used in tandem with the 2010 variant.
3rd Logo (December 7, 2009-December 13, 2014; July 12, 2018)
Visuals: On a light blue background with a radial white gradient in the center, the Arab text from before in a changing gold-gold gradient is seen forming through a spinning animation with letters getting absorbed into the sequence. Already formed below is the text from before.
Variants:
- In its early appearance, the logo is closer to the screen and has its English website link added underneath the company name.
- When the logo briefly returned in 2018, the background is now purely white and the text animation almost plays out the same as the next logo's text sequence. In this variant, the text wipes in.
Technique: 2D animation.
Audio: The ending theme of the program.
Availability: The logo first appeared as an opening logo for some Fault Lines documentaries such as "Health Care Reform". It would become the main logo used for Al Jazeera Correspondent from 2012 to 2014 (2011 episodes use the 1st logo). It has also appeared on Orphans of the Sahara.
4th Logo (2011-February 9, 2018)
Visuals: On a black background, the animation sequence from before plays with the logo in white. Shortly before it finishes forming, the company name fade in one letter at a time, followed by the copyright year.
Variants:
- Starting in 2013, the copyright year was removed.
- On a few documentaries, the website link was added underneath the logo.
- On The Stream, both the link and the copyright year are seen.
- An American variant exists where "America" is added underneath the company name. Underneath it is the copyright disclaimer reading:
(program name) is a Trademark of Al Jazeera America, LLC.
- A still, in-credit version exists.
Technique: 2D animation.
Audio: The ending theme of the program.
Availability: It can be seen on Fault Lines documentaries from 2011 to 2014 such as "This is Antifa". It also appeared on some Witness and The Big Picture documentaries like "Return to L'Aquila: Broken Promises" and "Dream on Hold" for the former series.
5th Logo (March 19, 2014?-December 19, 2019)
Visuals: On a black background, various warped Arabic letters in a metallic texture wipe in and are drawn from there. They are also slightly moving to fill up the droplet shape. Before this sequence ends, the company name fades in.
Technique: CGI.
Audio: The ending theme of the program.
Availability: It was used on most documentaries from Fault Lines in the mid-to-late 2010's such as "Chasing Bail". In its last few months, it replaced the 1st logo on 101 East and People & Power documentaries starting August 1, 2019 such as "China: Smuggling For Survival", "Cambodia's Casino Gamble", and "Top of the Class: Inside Singapore's Education System", the latter of which is this logo's last appearance.
6th Logo (January 9, 2020-)
Visuals: At the end of the program, a rectangular cut-out mask crops out the last shot by shrinking, revealing a white background. Before it almost disappears, it becomes a blue, wide rectangle and opens itself, revealing the company name in the same style as the previous logos. It slides down, allowing the water droplet symbol to fade in. Lastly, the company's website link fades in below.
Technique: 2D animation.
Audio: The ending theme of the program.
Availability: It replaced the previous logo on recent documentaries from 101 East and Power & People as well as appearing on Al Jazeera Correspondent. It debuted on the 101 East documentary "Thailand's Master Forger".