Balakrishna Movies: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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appears under the monument in yellow text.
appears under the monument in yellow text.


'''Technique:''' Pretty much a live-action shot edited with hand-drawn animation. The logo was colorized starting in 1973.
'''Variant:''' The logo was colorized beginning in 1973.

'''Technique:''' Live action combined with hand-drawn animation.


'''Music/Sounds:''' There are 2 music versions:
'''Music/Sounds:''' There are 2 music versions:
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'''Availability:''' Extremely rare due to logo being short-lived. Only seen on ''Thayin Karunai'', ''Rani Mera Naam'' and ''Hifazat''.
'''Availability:''' Extremely rare due to logo being short-lived. Only seen on ''Thayin Karunai'', ''Rani Mera Naam'' and ''Hifazat''.

'''Legacy:''' The god's hand throwing the "beam" may catch viewers off guard, especially on ''Hifazat,'' where the loud accompanying fanfare makes it very surprising. Others may not be affected by this.


[[Category:Film logos]]
[[Category:Film logos]]

Revision as of 16:31, 23 January 2023


(November 2, 1965-1973)





Logo: In front of a red curtain, we see a Hindu god in some sort of monument. After about five seconds, he throws a choppy-looking "beam" at the screen, and, when it disappears,

BALAKRISHNA MOVIES
PRESENTS

appears under the monument in yellow text.

Variant: The logo was colorized beginning in 1973.

Technique: Live action combined with hand-drawn animation.

Music/Sounds: There are 2 music versions:

  • On the Tamil film Thayin Karunai (1965) and Rani Mera Naam (1972), a quiet melody with a sitar.
  • On Hifazat, A loud dramatic note that is abruptly used, after almost 5 seconds of silence.

Availability: Extremely rare due to logo being short-lived. Only seen on Thayin Karunai, Rani Mera Naam and Hifazat.

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