Bloodworth-Thomason-Mozark Productions: Difference between revisions

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{{PageCredits|description=bigrene2, Codyfinke2, and Shadeed A. Kelly|capture=Camenati|video=Broken Saw, Nion's Logo Archive, Jordan Rios, and Matthew Mayfield}}
{{PageCredits|description=bigrene2, Codyfinke2, and Shadeed A. Kelly|capture=Camenati|video=Broken Saw, Nion's Logo Archive, Jordan Rios, and Matthew Mayfield}}


=== Background ===
===Background===
'''Bloodworth-Thomason-Mozark Productions''' is a production company founded in 1982 first known as "Linda Bloodworth Productions" and later "L.J. Bloodworth Productions" by writer Linda Joyce '''Bloodworth-Thomason'''. In July 1983, Bloodworth married Harry Thomason, whom they've met in 1980 and during the time in 1983, the duo created "Mozark Productions", named after their home states: "MO" for Missouri & "ARK" for Arkansas and an allusion of the overlapping Ozarks region.
'''Bloodworth-Thomason-Mozark Productions''' is a production company founded in 1982 by writer Linda Joyce '''Bloodworth-Thomason''' as "'''Linda Bloodworth Productions'''" and later, "'''L.J. Bloodworth Productions'''" . In July 1983, Bloodworth married Harry Thomason, who met her in 1980; during that time, the duo created "'''Mozark Productions'''", named after their respective home states Missouri ('''MO''') and '''Ark'''ansas, as well as an allusion to the overlapping '''Ozark'''s region.

=== 1st Logo (August 9, 1982-June 15, 1983) ===
<gallery mode="packed" heights="200">
Linda Bloodworth Productions (1982).jpeg
LJ Bloodworth Productions (1982).png
</gallery>
{{YouTube|id=JrbfXtwFs74}}

'''Logo:''' We have an in-credit text that reads, "<font face="Times">'''LARRY WHITE Productions and LINDA BLOODWORTH Productions In Association With'''</font>".

'''Later Variant:''' The text now reads as "<font face="Times">'''A LARRY WHITE PRODUCTION and an L.J. BLOODWORTH PRODUCTION In Association With'''</font>".

'''FX/SFX:''' None.

'''Music/Sounds:''' The end-title theme of ''Filthy Rich''.

'''Availability:''' Extinct. It was seen on the short-lived series ''Filthy Rich''.



=== 2nd Logo (September 21-October 26, 1985) ===
<gallery mode="packed" heights="200">
Bloodworth Thomason Mozark Productions (1985).png
</gallery>
{{YouTube|id=L8p4vtnDEC8}}

'''Logo:''' In a dark blue background, there's text that reads:<center><font face="Arial"><font size="4">'''R.J. PRODUCTIONS<br>and<br>BLOODWORTH/THOMASON<br>MOZARK PRODUCTIONS</font><br><br><font size="2">In Association With</font></font></center>

'''FX/SFX:''' None.

'''Music/Sounds:''' None.

'''Availability:''' Extinct. It was only seen in the short-lived series ''Lime Street''.



{{ImageTOC
|Bloodworth Thomason Mozark Productions (1991).png|1st Logo (September 29, 1986-May 11, 1991)
|Bloodworth Thomason Mozark Productions (1993).png|2nd Logo (September 17, 1990-December 11, 2001)
}}


=== 3rd Logo (September 29, 1986-May 11, 1991) ===
===1st Logo (September 29, 1986-May 11, 1991)===
<gallery mode="packed" heights="200">
<gallery mode="packed" heights="200">
Bloodworth Thomason Mozark Productions (1986, early).png|Early
Bloodworth Thomason Mozark Productions (1986, early).png|Early
Line 47: Line 17:
Bloodworth Thomason Mozark Productions (1990, Their Finest Hour).png|"Their Finest Hour"
Bloodworth Thomason Mozark Productions (1990, Their Finest Hour).png|"Their Finest Hour"
</gallery>
</gallery>
{{YouTube|id=vBZfOEotcSA|id2=SaCq5QehSlY|id3=3cPFbytMD7s}}
{{YouTube|id=vBZfOEotcSA|description=Early|id2=SaCq5QehSlY|description2=Normal|id3=3cPFbytMD7s|description3=Extended chimes}}


'''Visuals:''' Superimposed on the ''Designing Women'' credits, an orange heart slides to the right and reveals the text "'''{{color|red|MOZARK}}'''" (in a bulky font bearing a striking resemblance to the Burger King logo of the time) as the heart turns to red. As the heart disappears, the "'''MOZARK'''" turns to white, letter by letter. As it turns white, "'''Bloodworth/Thomason'''" appears on top, and "{{font|Times New Roman|''productions''}}", in italics, appears at the bottom of the text. As the logo finishes, the text "in association with" is shown under. It then cuts to the [[Columbia Pictures Television]] logo of the time.
'''Nicknames:''' "The Sliding Heart", “The Red-to-White Heart”, "The Designing Women Logo"

'''Logo:''' As this logo is superimposed on the Designing Women credits, we see an orange heart sliding to the right, and reveals the text "'''{{font color|red|MOZARK}}'''" (in a bulky font bearing a striking resemblance to the Burger King logo of the time) as the heart turns to red. As the heart disappears, the "'''MOZARK'''" turns to white, letter by letter. As it turns white, we see "'''Bloodworth/Thomason'''" on top, and "''{{font|Times New Roman|productions}}''" in italics at the bottom of the text. As the logo finishes, the text "in association with" is shown under. It then cuts to the [[Columbia Pictures Television]] logo of the time.


'''Variants:'''
'''Variants:'''
* On the first few episodes, there were no shadow effects.
* On <u>the first few episodes</u>, there are no shadow effects.
* Sometimes, the heart may be either purple or pink.
* Sometimes, the heart may be either purple or pink.
* On "New Year's Daze" and "Reservations for Eight", the "''{{font|Times New Roman|productions}}''" text is in the same font as the "'''Bloodworth/Thomason'''" text, making it look unevenly spaced.
* On <u>"New Year's Daze"</u> and <u>"Reservations for Eight"</u>, the "{{font|Times New Roman|''productions''}}" text is in the same font as the "'''Bloodworth/Thomason'''" text, making it look unevenly spaced.
* On "Old Spouses Never Die", the logo is in warp-speed.
* On <u>"Old Spouses Never Die"</u>, the logo is in warp-speed.
* On "Killing All the Right People", the background is black.
* On <u>"Killing All the Right People"</u>, the background is black.
* On "Their Finest Hour", the background is a salmon color and the chime is not heard.
* On <u>"Their Finest Hour"</u>, the background is a salmon color and the chime is not heard.
* On "La Place sans Souci", the text appears out of sync with the heart wiping in.
* On <u>"La Place sans Souci"</u>, the text appears out of sync with the heart wiping in.


'''Technique:''' Chroma-keyed cel animation.
'''FX/SFX:''' The sliding heart revealing the text.


'''Music/Sounds:''' A synth chime sound effect.
'''Audio:''' A synth chime sound effect.


'''Music/Sounds Variants:'''
'''Audio Variants:'''
* Sometimes, the logo is silent.
* Sometimes, the logo is silent.
* The end theme may play over the chime.
* The end theme may play over the chime.
* Sometimes on season 4 and 5, the chime is extended.
* Sometimes on season 4 and 5, the chime is extended.


'''Availability:''' Common. It's currently seen on the first five seasons of ''Designing Women'' on Logo TV. It's also intact on DVD releases of said show.
'''Availability:''' It's currently seen on the first five seasons of ''Designing Women'' on Logo TV. It's also intact on DVD releases of said show.


===2nd Logo (September 17, 1990-December 11, 2001)===
'''Legacy:''' The animation is choppy, the "MOZARK" font is ugly, and the rest of the text is cheaply inserted.

=== 4th Logo (September 17, 1990-December 11, 2001) ===
<gallery mode="packed" heights="200">
<gallery mode="packed" heights="200">
Bloodworth Thomason Mozark Productions (1993).png|Normal
Bloodworth Thomason Mozark Productions (1993).png|Normal
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Bloodworth Thomason Mozark Productions (2005, later).png|Later
Bloodworth Thomason Mozark Productions (2005, later).png|Later
</gallery>
</gallery>
{{YouTube|id=08pmSEa2DXw|id2=opuku4wGjy4|id3=u3nsAfi6qqY|id4=MrS7KEukDCw}}
{{YouTube|id=08pmSEa2DXw|description=Early jingle|id2=u3nsAfi6qqY|description2=Standard jingle|id3=u78be3RICHA|description3=IAW|id4=MrS7KEukDCw|description4=Updated variant}}


'''Visuals:''' On a {{color|silver|gray}} background, there is a white square with green mountains emerging from it, which represent the Ozarks with fog below it. Through the Ozarks is a long blue filmstrip, running up and down the gaps and also going over the top and bottom edges, leaving shadows and partially overlapping the text. Under that, there's the text arranged like this:
'''Nicknames:''' "Art and Filmstrips", "Filmstrips and Ozarks"

'''Logo:''' On a gray background, there is a white square with green mountains emerging from it, which represent the Ozarks with fog below it. Through the Ozarks is a long blue filmstrip, running up and down the gaps and also going over the top and bottom edges, leaving shadows and partially overlapping the text. Under that we see the text arranged like this:
<center><font face="Times">'''BLOODWORTH/THOMASON'''<font face="Times"></font><br><font size="7">MOZARK</font><br><font size="3">'''P R O D U C T I O N S'''</font></center></font>
<center><font face="Times">'''BLOODWORTH/THOMASON'''<font face="Times"></font><br><font size="7">MOZARK</font><br><font size="3">'''P R O D U C T I O N S'''</font></center></font>


'''Variants:'''
'''Variants:'''
* Sometimes, the words "IN ASSOCIATION WITH" are above the logo.
* Sometimes, the words "IN ASSOCIATION WITH" are above the logo.
* On season 1 of ''Evening Shade'' and the first Season 6 episode of ''Designing Women'', "The Big Desk", the logo has an alternate look where the ozarks box is smaller and the entire text is much larger (except for <font face="Times">"IN ASSOCIATION WITH"</font>)</font> and in a different font (in this case, Bookman). The logo is enclosed in a large outline fused from a square and a rectangle, casting a shadow over the background.
* On <u>season 1 of ''Evening Shade''</u> and the first Season 6 episode of ''Designing Women'', <u>"The Big Desk"</u>, the logo has an alternate look where the ozarks box is smaller and the entire text is much larger (except for <font face="Times">"IN ASSOCIATION WITH"</font>)</font> and in a different font (in this case, Bookman). The logo is enclosed in a large outline fused from a square and a rectangle, casting a shadow over the background.
* In 2001, an updated variant was introduced where the box and text were made wider to match each other's length, with <font face="Times">"'''BLOODWORTH/THOMASON'''"</font> and "'''PRODUCTIONS'''" now fairly larger and <font face="Times">"M O Z A R K" </font> significantly smaller, but spaced to length with the others. The filmstrip also now quickly lights up from the back to the front, in sync with the start of the music and revealing its frames and holes.
* In <u>2001</u>, an updated variant was introduced. The box and text are wider to match each other's length, with <font face="Times">"'''BLOODWORTH/THOMASON'''"</font> and "'''PRODUCTIONS'''" now fairly larger and <font face="Times">"M O Z A R K" </font> significantly smaller, but spaced to length with the others. The filmstrip also now quickly lights up from the back to the front, in sync with the start of the music and revealing its frames and holes.

'''FX/SFX:''' None for the regular version. The glowing on the updated version.


'''Technique:''' A digital graphic for the regular version. Computer animation on the updated version.
'''Music/Sounds:''' Some ascending synth tinkles, followed by an orchestral synth chord. NBC airings on ''Emeril'' used a generic theme.


'''Audio:''' Some ascending synth tinkles, followed by an orchestral synth chord.
'''Music/Sounds Variant:''' In early days, a calm 6-note synth tune was used.


'''Audio Variants:'''
'''Availability:''' Seen on Mozark shows, such as ''Designing Women'' (starting with the 6th season), ''Hearts Afire'', and ''Evening Shade'' (all 3 shows are on DVD). The updated version appeared on later episodes of the infamous short-lived sitcom ''Emeril''. This may have been seen on the HBO series ''12 Miles of Bad Road'', but we'll likely never know as it was cancelled before it debuted and hasn't been released ever since.
* The <u>early version</u> uses a calm 6-note synth tune.
* NBC airings of ''Emeril'' used a generic theme.


'''Availability:''' Seen on Mozark shows, such as ''Designing Women'' (starting with the 6th season), ''Hearts Afire'', and ''Evening Shade'' (all three shows are also on DVD).
* The early jingle was heard on early episodes of ''Evening Shade'' whereas the updated version appeared on later episodes of the short-lived sitcom ''Emeril''.
* This may have also been seen on the HBO series ''12 Miles of Bad Road'', but it was cancelled before it debuted and hasn't been released ever since.


[[Category:American logos]]
[[Category:United States]]
[[Category:American television logos]]
[[Category:American television logos]]
[[Category:Television logos]]
[[Category:Television logos]]
[[Category:Vanity cards]]
[[Category:Vanity cards]]

Latest revision as of 20:10, 12 August 2024


Background

Bloodworth-Thomason-Mozark Productions is a production company founded in 1982 by writer Linda Joyce Bloodworth-Thomason as "Linda Bloodworth Productions" and later, "L.J. Bloodworth Productions" . In July 1983, Bloodworth married Harry Thomason, who met her in 1980; during that time, the duo created "Mozark Productions", named after their respective home states Missouri (MO) and Arkansas, as well as an allusion to the overlapping Ozarks region.



1st Logo (September 29, 1986-May 11, 1991)

Early

Normal

Extended chimes


Visuals: Superimposed on the Designing Women credits, an orange heart slides to the right and reveals the text "MOZARK" (in a bulky font bearing a striking resemblance to the Burger King logo of the time) as the heart turns to red. As the heart disappears, the "MOZARK" turns to white, letter by letter. As it turns white, "Bloodworth/Thomason" appears on top, and "productions", in italics, appears at the bottom of the text. As the logo finishes, the text "in association with" is shown under. It then cuts to the Columbia Pictures Television logo of the time.

Variants:

  • On the first few episodes, there are no shadow effects.
  • Sometimes, the heart may be either purple or pink.
  • On "New Year's Daze" and "Reservations for Eight", the "productions" text is in the same font as the "Bloodworth/Thomason" text, making it look unevenly spaced.
  • On "Old Spouses Never Die", the logo is in warp-speed.
  • On "Killing All the Right People", the background is black.
  • On "Their Finest Hour", the background is a salmon color and the chime is not heard.
  • On "La Place sans Souci", the text appears out of sync with the heart wiping in.

Technique: Chroma-keyed cel animation.

Audio: A synth chime sound effect.

Audio Variants:

  • Sometimes, the logo is silent.
  • The end theme may play over the chime.
  • Sometimes on season 4 and 5, the chime is extended.

Availability: It's currently seen on the first five seasons of Designing Women on Logo TV. It's also intact on DVD releases of said show.

2nd Logo (September 17, 1990-December 11, 2001)

Early jingle

Standard jingle

IAW

Updated variant


Visuals: On a gray background, there is a white square with green mountains emerging from it, which represent the Ozarks with fog below it. Through the Ozarks is a long blue filmstrip, running up and down the gaps and also going over the top and bottom edges, leaving shadows and partially overlapping the text. Under that, there's the text arranged like this:

BLOODWORTH/THOMASON
MOZARK
P R O D U C T I O N S

Variants:

  • Sometimes, the words "IN ASSOCIATION WITH" are above the logo.
  • On season 1 of Evening Shade and the first Season 6 episode of Designing Women, "The Big Desk", the logo has an alternate look where the ozarks box is smaller and the entire text is much larger (except for "IN ASSOCIATION WITH") and in a different font (in this case, Bookman). The logo is enclosed in a large outline fused from a square and a rectangle, casting a shadow over the background.
  • In 2001, an updated variant was introduced. The box and text are wider to match each other's length, with "BLOODWORTH/THOMASON" and "PRODUCTIONS" now fairly larger and "M O Z A R K" significantly smaller, but spaced to length with the others. The filmstrip also now quickly lights up from the back to the front, in sync with the start of the music and revealing its frames and holes.

Technique: A digital graphic for the regular version. Computer animation on the updated version.

Audio: Some ascending synth tinkles, followed by an orchestral synth chord.

Audio Variants:

  • The early version uses a calm 6-note synth tune.
  • NBC airings of Emeril used a generic theme.

Availability: Seen on Mozark shows, such as Designing Women (starting with the 6th season), Hearts Afire, and Evening Shade (all three shows are also on DVD).

  • The early jingle was heard on early episodes of Evening Shade whereas the updated version appeared on later episodes of the short-lived sitcom Emeril.
  • This may have also been seen on the HBO series 12 Miles of Bad Road, but it was cancelled before it debuted and hasn't been released ever since.
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