Cinematográfica Inter-Continental S.A.: Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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'''Variant:''' ''Una mujer decente'' uses the logo inside a frame, which are the opening credits of the film. This logo is also used on ''Barrio Bajo'', but this time the logo fades out, and the opening credits are a city. |
'''Variant:''' ''Una mujer decente'' uses the logo inside a frame, which are the opening credits of the film. This logo is also used on ''Barrio Bajo'', but this time the logo fades out, and the opening credits are a city. |
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'''Technique:''' None. |
'''Technique:''' None. {{SectionMisuse|Technique}} |
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'''Audio:''' Depends on the film. |
'''Audio:''' Depends on the film. |
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Revision as of 18:57, 18 January 2024
Descriptions by
naxo-ole
Captures by
naxo-ole
naxo-ole
Captures by
naxo-ole
Logo (October 18, 1950-February 14, 1957)
Visuals: In the middle of a grey and cloudy background there is an earth globe centered on America. There's a big ring around the globe, covering the northern part of South America, where we can read "CICSA". Above the globe we see this text:
INTER-CONTINENTAL, S.A.
Below the earth globe, at the extreme right of the screen, there's another text:
a
Variant: Una mujer decente uses the logo inside a frame, which are the opening credits of the film. This logo is also used on Barrio Bajo, but this time the logo fades out, and the opening credits are a city.
Technique: None. [possible misuse]
Audio: Depends on the film.
- El lunar de la familia: A short and re-arranged fanfare from the first logo of Filmex.
- La hija del ministro: A fanfare made with trumpets and violins.
- La Venganza del Diablo and El Diablo Desaparece: A 14-note fanfare made with a trumpets and a drumroll.
- Una mujer decente and Barrio bajo: The opening theme of the movie.
Availability: Seen on Una mujer decente, El lunar de la familia, La hija del Ministro, La Venganza del Diablo, El Diablo Desaparece and Barrio Bajo.
