Coventry Productions: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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'''Visuals:''' On a black background, we see a nude, topless blonde woman wearing a necklace (cut to where her breasts aren't exposed) looking to the left, then slowly turning her head towards the screen and face it. Simultaneously, the fancy text "<span style="background:linear-gradient(180deg,#0c3826,#0c3826,#595b46,#595b46,#1a1400,#462e01,#462e01,#604b07); -webkit-background-clip:text !important; -webkit-text-fill-color:transparent;">'''Coventry''' PRODUCTIONS</span>" appears alongside the bottom with the superimposed text "{{font|Times New Roman|'''Presents'''}}" zooming in.
'''Visuals:''' On a black background, there is a nude, topless blonde woman wearing a necklace (cut to where her breasts aren't exposed) looking to the left, then slowly turning her head towards the screen and face it. Simultaneously, the fancy text "<span style="background:linear-gradient(180deg,#0c3826,#0c3826,#595b46,#595b46,#1a1400,#462e01,#462e01,#604b07); -webkit-background-clip:text !important; -webkit-text-fill-color:transparent;">'''Coventry''' PRODUCTIONS</span>" appears alongside the bottom with the superimposed text "{{font|Times New Roman|'''Presents'''}}" zooming in.


'''Technique:''' Live-action coupled with zooming effects for the text.
'''Technique:''' Live-action coupled with zooming effects for the text.

Revision as of 05:04, 27 November 2023



Logo (March 31, 1983)


Visuals: On a black background, there is a nude, topless blonde woman wearing a necklace (cut to where her breasts aren't exposed) looking to the left, then slowly turning her head towards the screen and face it. Simultaneously, the fancy text "Coventry PRODUCTIONS" appears alongside the bottom with the superimposed text "Presents" zooming in.

Technique: Live-action coupled with zooming effects for the text.

Audio: Multiple ascending chimes that segue into the opening of the movie.

Availability: Only seen on Dixie Ray: Hollywood Star.

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