Draft:Shree Bharat Lakshmi Pictures: Difference between revisions
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==={{Ordinal|2}} Logo (1937, 1939)=== |
==={{Ordinal|2}} Logo (1937, 1939)=== |
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[[File:Shree_Bharat_Lakshmi_Pictures_(1937,_1939).png|center|300px]] |
[[File:Shree_Bharat_Lakshmi_Pictures_(1937,_1939).png|center|300px]] |
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[[File:Shree Bharat Lakshmi Pictures (1932).mp4| |
[[File:Shree Bharat Lakshmi Pictures (1932).mp4|300px|frameless|center]] |
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'''Logo:''' TBA. |
'''Logo:''' TBA. |
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Revision as of 07:07, 6 December 2022
naxo-ole
Captures by
naxo-ole
Editions by
Tabit
Video captures courtesy of
Caleb Jeremiah Talk To Logos and WoodKnapp94
Background
Established in the early 1930's by Babulal Choukhani in Kolkata, Shree Bharat Lakshmi Pictures became a force to reckon with in Bangla cinema and churned out many important productions in the coming two decades. In the very same year, Choukhani sets up Bharat Lakshmi Studio in Tollygunge and gets industry stalwarts like Ahindra Chowdhury, Jahar Ganguly and Dhiraj Bhattacharya to collaborate with him on some major projects of this decade. Prolific, resourceful and immensely enterprising, Shree Bharat Lakshmi Pictures holds a key position in the history of Bangla cinema.
1st Logo (1932-1935)
Logo: TBA.
Technique: Traditional animation.
Music/Sounds: The opening theme of the film.
Availability: Rare. Seen on Krishnakanter Will, Kalanka Bhanjan, Thikadar and Avatar-or-Grihalakshmi
2nd Logo (1937, 1939)
Logo: TBA.
Technique: Live-action.
Music/Sounds: See previous logo.
Availability: Rare. Seen on Alibaba and Parasmani.