Gaumont/Logo Variations: Difference between revisions
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'''Splice (2009)''': The logo is an X-ray. This was done by Prologue Films. |
'''Splice (2009, US release)''': The logo is an X-ray. This was done by Prologue Films. International prints use the standard logo instead. |
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[[File:Gaumont Splice.jpeg|400px|center]] |
[[File:Gaumont Splice.jpeg|400px|center]] |
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Latest revision as of 20:52, 23 September 2024
These are the logo variations seen throughout the years by Gaumont, with more to be added overtime.
The Crimson Rivers (2000): The logo begins as usual, but as the camera follows, the map's line is tearing the map itself up, and a much redder fire (or, in other words, a crimson river) is inside the map. As the camera goes through the fire, the logo is in a blood-red tint. The sequence then fades into the opening credits.
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The Valet (2006): The logo turns into a sign.
Chrysalis (2007): The logo is in black and white.
The Broken (2008): The logo is very dark.
JCVD (2008): The logo begins as normal (in a sepia tint), but a silhouetted Jean-Claude Van Damme walks in, and attempts to grab the sunflower from the boy, causing the music to start winding down. When the boy refuses to let go of the sunflower, Van Damme gives him a roundhouse kick before kicking the sunflower up into space, where the animation continues as normal. The music winds down even more as the opening theme plays.
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Splice (2009, US release): The logo is an X-ray. This was done by Prologue Films. International prints use the standard logo instead.
The Connection (2014): The 1990 logo is used, along with the 1980 logo's music.
The Death of Stalin (2017): The logo fades to a red screen.
