Gaumont/Logo Variations: Difference between revisions

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'''The Crimson Rivers (2000)''': The logo begins as usual, but as the camera follows, the map's line is tearing the map itself up, and a much redder fire (or, in other words, a crimson river) is inside the map. As we go through the fire, the logo is in a blood-red tint. We then fade into the opening credits.
'''The Crimson Rivers (2000)''': The logo begins as usual, but as the camera follows, the map's line is tearing the map itself up, and a much redder fire (or, in other words, a crimson river) is inside the map. As we go through the fire, the logo is in a blood-red tint. We then fade into the opening credits.

[[File:Gaumont The Crimson Rivers.jpeg|400px|center]]


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'''The Valet (2006)''': The logo turns into a sign.
'''The Valet (2006)''': The logo turns into a sign.

[[File:Gaumont The Valet.jpeg|400px|center]]


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'''JCVD (2008)''': The Gaumont title sequence begins as normal, but a silhouetted Jean-Claude Van Damme walks in, and attempts to grab the sunflower from the boy. When the boy refuses to let go of the sunflower, Van Damme gives him a roundhouse kick before kicking the sunflower up into space, where the animation continues as normal in a sepia tint.
'''JCVD (2008)''': The Gaumont title sequence begins as normal, but a silhouetted Jean-Claude Van Damme walks in, and attempts to grab the sunflower from the boy. When the boy refuses to let go of the sunflower, Van Damme gives him a roundhouse kick before kicking the sunflower up into space, where the animation continues as normal in a sepia tint.

[[File:Gaumont JCVD.jpeg|400px|center]]


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'''Splice (2009)''': The logo is an X-ray.
'''Splice (2009)''': The logo is an X-ray. This was done by Prologue Films.

[[File:Gaumont Splice.jpeg|400px|center]]


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Revision as of 13:46, 7 June 2022


The Crimson Rivers (2000): The logo begins as usual, but as the camera follows, the map's line is tearing the map itself up, and a much redder fire (or, in other words, a crimson river) is inside the map. As we go through the fire, the logo is in a blood-red tint. We then fade into the opening credits.


The Valet (2006): The logo turns into a sign.


Chrysalis (2007): The logo is in black and white.


The Broken (2008): The logo is very dark.


JCVD (2008): The Gaumont title sequence begins as normal, but a silhouetted Jean-Claude Van Damme walks in, and attempts to grab the sunflower from the boy. When the boy refuses to let go of the sunflower, Van Damme gives him a roundhouse kick before kicking the sunflower up into space, where the animation continues as normal in a sepia tint.


Splice (2009): The logo is an X-ray. This was done by Prologue Films.


The Connection (2014): The 1990 logo is used, along with the 1980 logo's music.

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