Gaumont/Logo Variations: Difference between revisions
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{{PageButtons|Gaumont|Logo Variations=1|Trailers=1}} |
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'''These are the logo variations seen throughout the years by Gaumont, with more to be added overtime.''' |
'''These are the logo variations seen throughout the years by Gaumont, with more to be added overtime.''' |
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[[Category:Logo Variations]] |
[[Category:Logo Variations]] |
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[[Category:Gaumont |
[[Category:Gaumont]] |
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Revision as of 18:02, 15 October 2022
These are the logo variations seen throughout the years by Gaumont, with more to be added overtime.
The Crimson Rivers (2000): The logo begins as usual, but as the camera follows, the map's line is tearing the map itself up, and a much redder fire (or, in other words, a crimson river) is inside the map. As we go through the fire, the logo is in a blood-red tint. We then fade into the opening credits.
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The Valet (2006): The logo turns into a sign.
Chrysalis (2007): The logo is in black and white.
The Broken (2008): The logo is very dark.
JCVD (2008): The Gaumont title sequence begins as normal, but a silhouetted Jean-Claude Van Damme walks in, and attempts to grab the sunflower from the boy. When the boy refuses to let go of the sunflower, Van Damme gives him a roundhouse kick before kicking the sunflower up into space, where the animation continues as normal in a sepia tint.
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Splice (2009): The logo is an X-ray. This was done by Prologue Films.
The Connection (2014): The 1990 logo is used, along with the 1980 logo's music.
The Death of Stalin (2017): The logo fades to a red screen.
