Gorky Television: Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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'''Visuals:''' On a {{color|red}} background, we see the television name in a written, Cyrillic format along with a stylized antelope prancing with one of its legs acting as the top of the "Г". |
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'''Variants:''' |
'''Variants:''' |
Revision as of 04:48, 9 October 2023
Compiled by
Tabit
Tabit
(1968-1987)
Visuals: On a red background, we see the television name in a written, Cyrillic format along with a stylized antelope prancing with one of its legs acting as the top of the "Г".
Variants:
- The background color may change depending on the film.
- On Радио революции, Родом из комсомола and Волжские напевы, the background is black.
- In its earliest appearance, the colors were inverted.
- On Над реками, над морями, надо льдом, the background is colored blue.
- On Борис Мокроусов. Песня, the background is colored teal.
- The background has a fabric texture on Голоса и краски.
- On Радио революции, Родом из комсомола and Волжские напевы, the background is black.
- A variant on Город Горький has the television name with small strokes between the letters.
Technique: None.
Audio: None.
Availability: It was mostly seen on documentary films during its timespan.
- The red background variant can be seen on most of its documentary films, starting with Про тебя ли, Волга-матушка... and lastly with Городецкие мастера
- The black background variant has only appeared thrice, which are Радио революции, Родом из комсомола and Волжские напевы.
- The white background variant was seen on Здравствуйте, лошадь and Полюса недоступности.
- The dark-red, blue, teal, and fabric background variants made their appearance on Люди, огонь, металл, Над реками, над морями, надо льдом, Борис Мокроусов. Песня and Голоса и краски.