IMAX Corporation/Logo Variations: Difference between revisions

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{{YouTube|id=eQI50KnHLvY}}
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* ''Kong: Skull Island'' (2017): The prequel has its own visuals - the lettering resembles cracked rocks, and the camera travels across a yellow-tinted sky as we hear Kong's earth-shattering roar.
* ''Kong: Skull Island'' (2017): "PREPARE... TO... BELIEVE" is changed to "KONG... IS... KING", the numbers and text (in the movie's own font, similar to the ''Furious 7'' variant) resemble cracked rocks, and the camera travels across a yellow-tinted sky as the viewer hears Kong's earth-shattering roar.
[[File:IMAX (Kong Skull Island).jpg|center|350px]]
[[File:IMAX (Kong Skull Island).jpg|center|350px]]
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'''''Furious 7'' (2015):''' "PREPARE... TO... BELIEVE" is changed to "START... YOUR... ENGINES", and the whole logo is more colorful and meant to evoke a street racing atmosphere. The numbers after 8 are in the ''Fast & Furious'' font, the 5 shatters to reveal "EARTH SHATTERING SOUND", and gunshots impact the text "THE ULTIMATE MOVIE EXPERIENCE."
'''''Furious 7'' (2015):''' "PREPARE... TO... BELIEVE" is changed to "START... YOUR... ENGINES", and the whole logo is more colorful and meant to evoke a street racing atmosphere. The numbers and text are in the ''Fast & Furious'' font, the 5 shatters to reveal "EARTH SHATTERING SOUND", and gunshots impact "THE ULTIMATE MOVIE EXPERIENCE" text.
[[File:IMAX (Furious 7).jpg|center|350px]]
[[File:IMAX (Furious 7).jpg|center|350px]]
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'''''Sully'' (2016), ''Transformers: The Last Knight'' (2017), ''Marvel's Inhumans'' (2017), ''Avengers: Infinity War'' (2018), ''The Eight Hundred'' (2020, China), ''The Suicide Squad'' (2021), ''If I Can't Have Love, I Want Power'' (2021), ''Shang-Chi and the Legend of the Ten Rings'' (2021), ''The Battle at Lake Changjin'' (2021, China), ''The Battle at Lake Changjin II'' (2022, China), ''Doctor Strange in the Multiverse of Madness'' (2022), ''Home Coming'' (2022, China), ''Avatar: The Way of Water'' (2022), ''The Wandering Earth 2'' (2023, China), ''Guardians of the Galaxy Vol. 3'' (2023), ''Mission: Impossible – Dead Reckoning Part One'' (2023), ''Blue Beetle'' (2023), ''The Marvels'' (2023), ''Aquaman and the Lost Kingdom'' (2023) and ''Dune: Part Two'' (2024):''' The logo has a dark starfield background and the text is different to reflect that IMAX cameras were used extensively in the production: "PREPARE... TO... BELIEVE" is changed to "EXPERIENCE... THE... DIFFERENCE", and the phrases in the countdown now read "FILMED WITH IMAX CAMERAS", "MASTERED FOR IMAX SOUND", and "DESIGNED FOR IMAX SCREENS", not necessarily in that order (though no matter the order in which the phrases are shown, the image always expands from a Scope aspect ratio to the full height at the phrase "DESIGNED FOR IMAX SCREENS", wherever in the countdown that's placed). The end result greatly resembles the standard version of the 2004 logo, but without any slogans or TV-style buzzing. The DLP logo does not appear at all, as the 15/70 animation is always used for this one regardless of whether you're watching it at a 15/70 location or a digital location. This ending would eventually be used for all films playing at digital locations as well.
'''All films shot with digital IMAX cameras, beginning with ''Sully'' (2016) (except for below variants):''' The logo has a dark starfield background and the text is different to reflect that IMAX cameras were used extensively in the production: "PREPARE... TO... BELIEVE" is changed to "EXPERIENCE... THE... DIFFERENCE", and the phrases in the countdown now read "FILMED WITH IMAX CAMERAS", "MASTERED FOR IMAX SOUND", and "DESIGNED FOR IMAX SCREENS", not necessarily in that order (though no matter the order in which the phrases are shown, the image always expands from a Scope aspect ratio to the full height at the phrase "DESIGNED FOR IMAX SCREENS", wherever in the countdown that's placed). The end result greatly resembles the standard version of the 2004 logo, but without any slogans or TV-style buzzing. The DLP logo does not appear at all, as the 15/70 animation is always used for this one regardless of whether you're watching it at a 15/70 location or a digital location. This ending would eventually be used for all films playing at digital locations as well.
{{YouTube|id=n5HbQ7vCvDY}}
{{YouTube|id=n5HbQ7vCvDY}}
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'''''Suicide Squad'' (2016)''': "PREPARE... TO... BELIEVE" is changed to "WORST... HEROES... EVER", the background is changed into a Arkham Asylum down the streets of Gotham with arms that look like they want to grab something. Like ''Furious 7'', the numbers after 8 are in the movie's own font, and all of the phrases scramble, as if they were spreading out. When the camera reaches the number 4, there is a car on fire, riding fast across the street. Then, there is the city of Gotham, filling up with a explosion and a helicopter, but when the camera reaches the number 1, the rings surround the number while going up into the rings. then it zooms in to "WATCH A MOVIE, OR BE PART OF ONE", and rotates into the IMAX logo with the Joker's laugh.
'''''Suicide Squad'' (2016)''': "PREPARE... TO... BELIEVE" is changed to "WORST... HEROES... EVER", the background is changed into a Arkham Asylum down the streets of Gotham with arms that look like they want to grab something. Like ''Furious 7'', the numbers and text are in the movie's own font, and all of the phrases scramble, as if they were spreading out. When the camera reaches the number 4, there is a car on fire, riding fast across the street. Then, there is the city of Gotham, filling up with a explosion and a helicopter, but when the camera reaches the number 1, the rings surround the number while going up into the rings. then it zooms in to "WATCH A MOVIE, OR BE PART OF ONE", and rotates into the IMAX logo with the Joker's laugh.
[[File:IMAX (Suicide Squad).jpg|center|350px]]
[[File:IMAX (Suicide Squad).jpg|center|350px]]
{{YouTube|id=W9cdmTPgWQg}}
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'''''Blade Runner 2049'' (2017):''' "PREPARE... TO... BELIEVE" is changed to "CAN'T... OUTRUN... THE TRUTH". The text has a digital look throughout and the camera travels down the city. Also, Joi shows up early on in the countdown and it expands to the IMAX ratio about halfway through the animation. This variant won a Bronze Clio Entertainment Award in 2018.
'''''Blade Runner 2049'' (2017):''' "PREPARE... TO... BELIEVE" is changed to "CAN'T... OUTRUN... THE TRUTH". The numbers and text have a digital look throughout and the camera travels down the city. Also, Joi shows up early on in the countdown and it expands to the IMAX ratio about halfway through the animation. This variant won a Bronze Clio Entertainment Award in 2018.
{{YouTube|id=LPS7u7x8tx4}}
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'''''First Man'' (2018):''' The background is a black starry sky and the rings are silver.
{{PossibleFake|There is no info about the variant or possibly even its existence, even though the description seems legit.}}


[[Category:Logo variations]]
[[Category:Logo variations]]
[[Category:Logo variations]]
[[Category:Logo variations]]

Latest revision as of 17:41, 8 November 2024

These are the logo variations seen throughout the years by IMAX Corporation, with more to be added over time.

To the Arctic (2012): Same as the trailer variant. The logo is covered in snow, and the background is snowing.


The Wizard of Oz (1939; 2013 IMAX 3D re-release): When it was re-released in IMAX 3D in 2013, it appeared with this IMAX variant in sepia tones.


The MonsterVerse:

  • Godzilla (2014): The logo shakes as if the King of the Monsters himself was approaching the theater. When "IMAX" has finished flipping towards the camera, the logo shakes wildly as his distinctive roar is heard.


  • Kong: Skull Island (2017): "PREPARE... TO... BELIEVE" is changed to "KONG... IS... KING", the numbers and text (in the movie's own font, similar to the Furious 7 variant) resemble cracked rocks, and the camera travels across a yellow-tinted sky as the viewer hears Kong's earth-shattering roar.



Monk Comes Down the Mountain (2015, China): The Chinese kung fu comedy Monk Comes Down the Mountain features a Chinese IMAX intro involving a trip across and over a moonlit mountain range.


Furious 7 (2015): "PREPARE... TO... BELIEVE" is changed to "START... YOUR... ENGINES", and the whole logo is more colorful and meant to evoke a street racing atmosphere. The numbers and text are in the Fast & Furious font, the 5 shatters to reveal "EARTH SHATTERING SOUND", and gunshots impact "THE ULTIMATE MOVIE EXPERIENCE" text.


Mission: Impossible - Rogue Nation (2015): The opening text reads "PREPARE... TO GO... ROGUE" as the opening countdown slowly turns red. At 8, a fuse ignites as the camera moves through a red tunnel with the fuse, which is a reference to the opening credits from the TV series. The numbers are also red and in a different font than before. Fire is seen at "MIND BLOWING IMAGES", the next 2 phrases appear in manners similar to the Furious 7 variant, and the 4 spins around as the screen zooms past it. The text "WATCH A MOVIE... OR BE PART OF ONE" appear inside the tunnel rather than at the end of it. After passing the text, the camera quickly zooms to the end of the tunnel to catch up with the fuse, which is now swirling around the 3 rings and towards the IMAX logo. The logo zooms past the rings as the fuse heads to the logo, causing it to explode into pieces of glass that quickly scatter off-screen; some of the glass shards zoom past us. The DLP logo is revealed after the explosion.


All films shot with digital IMAX cameras, beginning with Sully (2016) (except for below variants): The logo has a dark starfield background and the text is different to reflect that IMAX cameras were used extensively in the production: "PREPARE... TO... BELIEVE" is changed to "EXPERIENCE... THE... DIFFERENCE", and the phrases in the countdown now read "FILMED WITH IMAX CAMERAS", "MASTERED FOR IMAX SOUND", and "DESIGNED FOR IMAX SCREENS", not necessarily in that order (though no matter the order in which the phrases are shown, the image always expands from a Scope aspect ratio to the full height at the phrase "DESIGNED FOR IMAX SCREENS", wherever in the countdown that's placed). The end result greatly resembles the standard version of the 2004 logo, but without any slogans or TV-style buzzing. The DLP logo does not appear at all, as the 15/70 animation is always used for this one regardless of whether you're watching it at a 15/70 location or a digital location. This ending would eventually be used for all films playing at digital locations as well.


Suicide Squad (2016): "PREPARE... TO... BELIEVE" is changed to "WORST... HEROES... EVER", the background is changed into a Arkham Asylum down the streets of Gotham with arms that look like they want to grab something. Like Furious 7, the numbers and text are in the movie's own font, and all of the phrases scramble, as if they were spreading out. When the camera reaches the number 4, there is a car on fire, riding fast across the street. Then, there is the city of Gotham, filling up with a explosion and a helicopter, but when the camera reaches the number 1, the rings surround the number while going up into the rings. then it zooms in to "WATCH A MOVIE, OR BE PART OF ONE", and rotates into the IMAX logo with the Joker's laugh.


L.O.R.D: Legend of Ravaging Dynasties (2016, China): As China's first motion-capture film, the statements are in Chinese and the logo features the powers/heroes of the film, as seen here.


Spider-Man: Homecoming (2017): "PREPARE... TO... BELIEVE" is changed to "LOCAL HERO... TO... SUPER HERO", the background is a red/blue stylized city background, the numbers and text are in the movie's own font (similar to the Furious 7 variant), and most of the phrases have web slinged to them.


Blade Runner 2049 (2017): "PREPARE... TO... BELIEVE" is changed to "CAN'T... OUTRUN... THE TRUTH". The numbers and text have a digital look throughout and the camera travels down the city. Also, Joi shows up early on in the countdown and it expands to the IMAX ratio about halfway through the animation. This variant won a Bronze Clio Entertainment Award in 2018.

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