Korean Film Studio: Difference between revisions

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North Korea's principal producer of feature films is the '''Korean Film Studio''', a state-run studio of about 10 million square feet (930,000 m²) founded in 1947 and located outside of Pyongyang. It has been said that the studio produced about 40 films a year (almost 4 films a month). Perhaps Korean Film's most notable release is ''Pulgasari'', a North Korean ''kaiju'' film directed by South Korean director Shin Sang-ok (see also: [[Shin Films (South Korea)]]), one of the most renowned Korean directors of the time who was kidnapped by then-future North Korean leader Kim Jong-il. Shin also directed several other films under Korean Film Studio and the North Korean branch of Shin Films.
North Korea's principal producer of feature films is the '''Korean Film Studio''', a state-run studio of about 10 million square feet (930,000 m²) founded in 1947 and located outside of Pyongyang. It has been said that the studio produced about 40 films a year (almost 4 films a month). Perhaps Korean Film's most notable release is ''Pulgasari'', a North Korean ''kaiju'' film directed by South Korean director Shin Sang-ok (see also: [[Shin Films (South Korea)]]), one of the most renowned Korean directors of the time who was kidnapped by then-future North Korean leader Kim Jong-il. Shin also directed several other films under Korean Film Studio and the North Korean branch of Shin Films.


=== 1st Logo (1955-present) ===
=== 1st Logo (1950s-1961?)===
[[File:Korean Film first logo.jpeg|center|350px]]

'''Logo:''' On a cloud background, we see a statue depicting a peasant-soldier-worker trio turning (in a similar way to the third logo and early Chinese People's Republic logos), with the worker holding a North Korean flag and the company name "조선화인" being in a blocky font.

'''FX/SFX:''' The turning.

'''Music/Sounds:''' TBA

'''Availability:''' Seen on their earlier films, such as 신혼부부 (1955).

===2nd Logo (1961?-present) ===
<gallery mode="packed" heights="200">
<gallery mode="packed" heights="200">
File:Korean Film B&W.jpeg
File:Korean Film B&W.jpeg
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'''Variants:'''
'''Variants:'''
*In its early days until around 1961 (when the Chollima Statue was first unveiled), the shown statue depicted a peasant-soldier-worker trio (in a similar way to the next logo and early Chinese People's Republic logos), with the worker holding a North Korean flag and the company name being in a blocky font.
*Early Chollima Statue logos had the company name slightly transparent with a white outlined.
*Early Chollima Statue logos had the company name slightly transparent with a white outlined.
*In widescreen films, the characters are more spaced.
*In widescreen films, the characters are more spaced.
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'''Editor's Note:''' None.
'''Editor's Note:''' None.


=== 2nd Logo (1968?-present) ===
=== 3rd Logo (1968?-present) ===
<gallery mode=packed heights=200>
<gallery mode=packed heights=200>
Korean Film (1974).png
Korean Film (1974).png

Revision as of 16:27, 14 February 2022


Background

North Korea's principal producer of feature films is the Korean Film Studio, a state-run studio of about 10 million square feet (930,000 m²) founded in 1947 and located outside of Pyongyang. It has been said that the studio produced about 40 films a year (almost 4 films a month). Perhaps Korean Film's most notable release is Pulgasari, a North Korean kaiju film directed by South Korean director Shin Sang-ok (see also: Shin Films (South Korea)), one of the most renowned Korean directors of the time who was kidnapped by then-future North Korean leader Kim Jong-il. Shin also directed several other films under Korean Film Studio and the North Korean branch of Shin Films.

1st Logo (1950s-1961?)

Logo: On a cloud background, we see a statue depicting a peasant-soldier-worker trio turning (in a similar way to the third logo and early Chinese People's Republic logos), with the worker holding a North Korean flag and the company name "조선화인" being in a blocky font.

FX/SFX: The turning.

Music/Sounds: TBA

Availability: Seen on their earlier films, such as 신혼부부 (1955).

2nd Logo (1961?-present)

Logo: On a sky background with some clouds below, we see a drawing of the Paektu Mountain on the top left corner. Peaking out of the clouds is the Chollima Statue (located in Pyongyang) making a turn of about 60 degrees (like the logo of Mosfilm), and we see 조 선 화 인 appearing below the statue.

Variants:

  • Early Chollima Statue logos had the company name slightly transparent with a white outlined.
  • In widescreen films, the characters are more spaced.
  • Starting in the 2010s, the logo is enhanced.
  • On the North Korean release of Eternal Comrades, a Soviet-North Korean film produced by Korean Film and Mosfilm, a special variant was created. On a background which is Mosfilm's red sky and Korean Film's blue sky combined, the Paektu Mountain and Spasskaya Tower can be seen, as well as both the Chollima Statue and the Worker and Kolhoz Woman monument on the sides of the screen. Both of the company names are shown. The Russian release of the film had a completely different variant that can be seen here.

Trivia: Both the Chollima Statue and the Paektu Mountain are very important in North Korea because of its legends.

FX/SFX: The statue doing the turn and the text appearing.

Music/Sounds: The opening theme of the movie.

Availability: Probably common in North Korea.

  • It is hard to acquire accurate information on when this logo is first used, knowing the nature of its country of origin.
  • Seen on their films such as Flower Girl, Urban Girl Goes to Get Married, and so on. Its most notable use is probably on Pulgasari.
  • The logo is still in use today and appears on recent films such as The Story of Our Home.

Editor's Note: None.

3rd Logo (1968?-present)

Logo: The same as before, only this time it has a sunset background and a different statue depicting a worker-soldier-peasant trio. The mountain drawing is also slightly different.

Variants:

  • In The Fate of Kum Hui and Un Hui, the background is purely red and the statue is off-centered.
  • Depending from the widescreen film, the characters can be more spaced or maintain their original spacing.

FX/SFX: Same as the previous logo.

Music/Sounds: Once again, the opening theme.

Availability: Again, it may be still used today, and in tandem with the previous logo. You can find it on A Traffic Controller on Crossroads, Wolmi Island, Order No. 027, and a few more. Like before, information on when this logo is first used is scarce.

Editor's Note: None.

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