Kultur (Contact Bumper): Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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* On ''Holiday of Ballet'', the screen cuts from the ending instead of fading in from black. |
* On ''Holiday of Ballet'', the screen cuts from the ending instead of fading in from black. |
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''' |
'''Technique:''' None. |
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'''Music/Sounds:''' None. |
'''Music/Sounds:''' None. |
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'''Bumper''': Same as the previous bumper, except now the text is all white and in a different font and now includes Kultur's Internet homepage. |
'''Bumper''': Same as the previous bumper, except now the text is all white and in a different font and now includes Kultur's Internet homepage. |
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''' |
'''Technique:''' None. |
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'''Music/Sounds:''' None. |
'''Music/Sounds:''' None. |
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Revision as of 00:29, 6 December 2022
1st bumper (1981-1998)
Bumper: On a black/blue gradient background, we see yellow text in Korinna instructing how to contact Kultur.
Variants:
- Later tapes had the text in a different font.
- On Holiday of Ballet, the screen cuts from the ending instead of fading in from black.
Technique: None.
Music/Sounds: None.
Availability: Rare. The original version can be seen on A Classical Christmas, War and Peace, Cinderella, Holiday of Ballet, and Baryshnikov at Wolf Trap. The later variant can be seen on The Ballet Workout II and The French Impressionists: The Cast of Characters.
2nd bumper (1998-????)
Bumper: Same as the previous bumper, except now the text is all white and in a different font and now includes Kultur's Internet homepage.
Technique: None.
Music/Sounds: None.
Availability: Common. Appears on Heifetz Master Classes.
