Pioneer Films: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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Nicknames: "An MPCA Rip-Off!", "One Of The Most Blatant Logos Ever", "Shooting Stars: Filipino Way", "MPCA of the Philippines"
 
Logo: Same as the 1987 [[Motion Picture Corporation of America]] logo, but instead of "MOTION PICTURE CORPORATION OF AMERICA" fading in, the orange-ish words "PIONEER FILMS" slide in and stop in the center of the marble background.
 
FX/SFX: Same as the MPCA logo, but with a different name sliding in instead.

Revision as of 12:19, 22 June 2020

Logos

1st Logo (1993?)

Logo: TBA

FX/SFX: TBA

Music/Sounds: TBA

Availability: TBA

Editor's Note: None.

2nd Logo (1993)

Logo: On a black background, we see a red box with a "P" in the center and filmstrips moving on the sides of it. The words: "PIONEER FILMS" and "PRESENTS", in red and cyan, are seen below.

FX/SFX: The moving filmstrips.

Music/Sounds: The opening theme of the trailer.

Availability: Seen on the theatrical trailer of Manila Boy, the only film where Pioneer Films counted up as a film production company.

Editor's Note: This logo is creative and original, compared to the next logo...

3rd Logo (1993)

Nicknames: "An MPCA Rip-Off!", "One Of The Most Blatant Logos Ever", "Shooting Stars: Filipino Way", "MPCA of the Philippines"

Logo: Same as the 1987 Motion Picture Corporation of America logo, but instead of "MOTION PICTURE CORPORATION OF AMERICA" fading in, the orange-ish words "PIONEER FILMS" slide in and stop in the center of the marble background.

FX/SFX: Same as the MPCA logo, but with a different name sliding in instead.

Music/Sounds: A creepy synth note that holds up throughout the whole logo, accompanied by whooshes, drumbeats, and laser zaps.

Availability: Was seen on the Filipino movie Manila Boy.

Editor's Note: It has received notification in the logo community as one of the cheapest logos from the Philippines, with the blatant use of the animation from the 1987 Motion Picture Corporation of America.

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