Prisma Verleih: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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ILEnthusiast (talk | contribs)
Created page with "{{PageCredits|compiled=IDENTfan111|video=Logoarto}} ===Background=== '''{{PAGENAME}}''' was a film company from West Germany. ===Logo (December 18, 1959)=== <gallery mode="packed" heights="200"> Prisma Verleih (1959).png </gallery> {{YouTube|id=3ekA8-D5BYc}} '''Visuals:''' After the Astra Filmkust logo and the "Rudolf-Kalmowicz Produktion" text scrolling up, there is a yellow, sans-serif "im" with below is an outlnie of a triangular prism with the base being at th..."
 
Dison (talk | contribs)
m Text replacement - "IDENTfan111" to "ILEnthusiast"
 
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{{PageCredits|compiled=IDENTfan111ILEnthusiast|video=Logoarto}}
 
===Background===
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{{YouTube|id=3ekA8-D5BYc}}
 
'''Visuals:''' After the [[Astra FilmkustFilmkunst]] logo and the "Rudolf-Kalmowicz Produktion" text scrolling up, there is a yellow, sans-serif "im" with below is an outlnie of a triangular prism with the base being at the bottom. A yellow ring is at the front of it and the outline of a blocky, yellow "PRISMA" with the "P" and the "A" extended to the left/right is at the front. "VERLEIH" in the same style as "im" is below it. The entire logo scrolls up.
 
'''Technique:''' Motion controlled animation.

Latest revision as of 05:12, 21 July 2024


Background

Prisma Verleih was a film company from West Germany.

Logo (December 18, 1959)


Visuals: After the Astra Filmkunst logo and the "Rudolf-Kalmowicz Produktion" text scrolling up, there is a yellow, sans-serif "im" with below is an outlnie of a triangular prism with the base being at the bottom. A yellow ring is at the front of it and the outline of a blocky, yellow "PRISMA" with the "P" and the "A" extended to the left/right is at the front. "VERLEIH" in the same style as "im" is below it. The entire logo scrolls up.

Technique: Motion controlled animation.

Audio: Opening theme of the movie.

Availability: Seen on Ein Sommer, den man nie vergisst.

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