The 51: Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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'''Logo:''' On a black background, next to the [[Cooper Films]] logo, we see a rotated {{color|orangered|orange red}} ellipse with a {{color|teal}} knife-like symbol going through. Over it is a "{{color|brown|5}}" and a "{{color|brown|1}}" respectively, spaced out from each other. Connected to the "{{color|brown|5}}" from the left is a small {{color|teal}} rectangle with "{{color|brown|THE}}" inside it. |
'''Logo:''' On a black background, next to the [[Cooper Films]] logo, we see a rotated {{color|orangered|orange red}} ellipse with a {{color|teal}} knife-like symbol going through. Over it is a "{{color|brown|5}}" and a "{{color|brown|1}}" respectively, spaced out from each other. Connected to the "{{color|brown|5}}" from the left is a small {{color|teal}} rectangle with "{{color|brown|THE}}" inside it. |
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''' |
'''Technique:''' None. |
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'''Music/Sounds:''' The closing theme. |
'''Music/Sounds:''' The closing theme. |
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Revision as of 01:02, 6 December 2022
Descriptions by
SuperMax124
Captures by
SuperMax124
SuperMax124
Captures by
SuperMax124
Background
This is the vanity plate of Malcolm Spellman.
(February 13, 2022-)
Logo: On a black background, next to the Cooper Films logo, we see a rotated orange red ellipse with a teal knife-like symbol going through. Over it is a "5" and a "1" respectively, spaced out from each other. Connected to the "5" from the left is a small teal rectangle with "THE" inside it.
Technique: None.
Music/Sounds: The closing theme.
Availability: Brand new. Seen on Bel-Air.
