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From the Audiovisual Identity Database, the motion graphics museum
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'''Logo:''' We seen Miles Morales as Spider-Man and Gwen Stacy as Spider-Woman as they appear in the ''Spider-Verse'' movies, diving off of skyscrapers in New York as a "leap of faith". Their descent is shown through four split-screen shots. They then thwip out their webs and land onto the ground in front of a Cinemark. They talk to each other as they walk into the theater. Miles and Gwen swing into their seats, the former carrying popcorn and drinks and using his invisibility power. They unmask, only for Miles' thoughts to wander, as shown by a comic book-style yellow text box appearing above him: "''SERÁ QUE EU ESCUECIESQUECI DE CONVIDAR O PETER?''" ("''DID I FORGET TO INVITE PETER?''" Gwen asks about the missing Peter as Miles makes up an excuse. On the theater screen, Peni Parker and SP//der are taking selfies. The disclaimer "É proibibo filmar e fotografar" ("Filming and photography is prohibited") appears below them. Noticing they were caught, the girl and robot appear shocked as Peni hastily throws her phone into SP//der's stomach. She hops off of SP//der, who sparks from the foreign object inside him, as Gwen thwips Miles' phone away from him, the former smirking as the latter gives a nervous smile. Back on screen, Spider-Man Noir lights up a lighter, with the disclaimer below reading "Em caso de incêndio extintores estrategicamente localizados e brigada de incêndio para auxiliar" ("In case of fire, strategically located extinguishers and brigade will assist"). We zoom out to see Peni to his left with a fire extinguisher. She sprays the extinguisher, but little comes out. SP//der, however, sprays enough out of a giant can that it completely covers Spider-Man Noir, giving a goofy poorly-drawn smile. Behind Miles and Gwen, Peter B. Parker enters the theater, carrying a pack of bottles. They are very annoyed with him for this, and the disclaimer explains why: "não é permitido entrar com latas e garrafas" ("it is not allowed to enter with cans and bottles"). Peter gets the memo and leaves. Again watching the screen, everything is in black and white. Many people are sitting in a theater. We pan to the left to a staircase, which all the lights shine onto. Spider-Man Noir leaps down the staircase and speaks to the viewers, his cape billowing in the (improbable for a theater) wind. His cape takes up the whole screen, and upon wiping away forms the disclaimer "As saídas de emergência estão estrategicamente localizadas, para abrir a porta basta empurrar a barra" ("The emergency exits are strategically located, to open the door just push the bar"). Alongside the disclaimer, we see Spider-Man Noir swing towards an emergency exit. He raises his foot high into the air and screams as if he is going to dramatically take it down, but instead his foot gently pushes the door open, and he politely presents the door with his hat off. Peter reenters the theater, now next to Miles, with a drink and hot dog. Below is the disclaimer "A Cinemark nâo se responsabiliza por objetos esquecidos na sala." ("Cinemark is not responsible for objects left in the room.") Despite his snack, he still steals a handful of popcorn from Miles. He then tries to thwip Gwen's drink to himself, and does successfully steal a sip, but Gwen thwips it back. On the screen, we see the Portuguese title and logo for the film: "HOMEM-ARANHA: NO ARANHAVERSO". On a blue gradient background with English copyright info below, we see, in rapid succession, the film's release month "JANEIRO" ("JANUARY"), the Cinemark logo, and the Prevent Senior logo.
 
'''Technique:''' CGI animation, presumably by Sony Pictures Imageworks.

Revision as of 05:14, 20 July 2023

This is for the future so I don't have to feel as pressured writing descriptions all at once.

To do:

We're gonna party, we're gonna rock, we've got tickets to the Cinemark!

13th Opening (2008-2012) (Segurito y el Gato Joe) (Chile)


This is still here for easy access in case someone my stepmom knows does translations in the future.

Logo: These trailers showcase the adventures of ACHS insurance mascot Segurito (in his early design as a young boy wearing a safety helmet, not his current puppet redesign by the 31 Minutos creators) and Gato Joe, as Front Row Joe is known in Chile, as the former explains safety rules to the latter and frequently a reoccurring kid with glasses as well. Usually they have to do with safety in the theater, but some trailers are intended to teach non-theater related safety tips.

Variants:

  • Dentro de la Película ("Inside The Movie") (2008-2009): Front Row Joe and Segurito walk through a rainforest together, chatting happily. They are then shocked to find themselves surrounded by movie monsters, including Frankenstein's monster, a ghost, a King Kong-like gorilla, a robot, a UFO, a living monster truck, and two aliens that resemble the ones from Mars Attacks. Front Row Joe panics, swinging his arms. The camera swerves over to a tree covered in mushrooms with the glowing green sign "SALIDA/EXIT" on it. Front Row Joe points to the exit tree, terrified of what has to be done next. Sure enough, he is chased by all of the movie monsters as he lets out an odd scream. "DON'T PANIC!" yells Segurito, as he orders Front Row Joe to chill. He skids to a stop, and sure enough the movie monsters keep running ahead of him and crash into something offscreen, with a lost tire from the monster truck rolling into view. He winces at the sight for a second, before Segurito comes in and pulls down a blueprint. In blueprint stick figure style, it is demonstrated why you shouldn't leave things in the theater aisles as a stick figure sets down their backpack, and a stick version of Front Row Joe trips over it and falls flat on his face, his eyes turning to crosses. Stick Front Row Joe enters a theater door on the right and exits the one of the left, puzzling him as he scratches his head confused with a big "?" above him. A theater working stick figure with a megaphone guides stick Segurito, the stick figure that tripped Front Row Joe with their backpack, and stick Front Row Joe to calmly walk out of the theater. We then go back to the normal artstyle as Segurito continues to explain the blueprint to Front Row Joe and the movie monsters, with the gorilla wearing magenta glasses and taking notes on a notepad. He continues talking even as he and Front Row Joe use the tree exit, giving a peace sign. Front Row Joe and Segurito are now in the theater together, with Front Row Joe drinking his drink and Segurito eating popcorn. Someone's phone rings, and Front Row Joe shushes it. The camera zooms out to reveal that, to Front Row Joe's unease, many of the movie monsters (including a previously unseen yeti) are also watching the movie. While Front Row Joe remains uncomfortable, Segurito is as cheery as ever. The scene irises out over the face of the gorilla, giggling. A red and yellow starburst akin to a old cartoon title card appears, as the yellow text "ESTA FUE OTRA CARICATURA DE" ("THIS WAS ANOTHER CARTOON OF") folds over the top and the faces of Segurito and Front Row Joe zoom in. They move up a bit to make space for the ACHS and Cinemark logos to draw themselves in; the latter has the slogan "La mejor en cine" ("The best in cinema") below it. The URLs "www.segurito.cl" and "www.cinemark.cl" appear under their respective logos.
  • Evacuación ("Evacuation") (2010): Over a city so far below that all that can be seen are the lights of the buildings, we see some rather... familiar looking stars fly by before looping into a circle. Sure enough, the Paramount Mountain can be seen in the distance... but so can a very 20th Century Studios-esque spotlight. The stars circle the mountain in traditional fashion as we pan to an empty golden 20th Century Studios podium. The MGM ribbon flies down onto the podium, and a golden pegasus that looks like the one in the 1993-2015 TriStar Pictures logo slides upwards from its top once it settles into place; the clouds behind the Paramount Mountain appropriately look like the clouds in said logo and the 1993 Columbia Pictures logo. Instead of "Metro-Goldwyn-Mayer", the ribbon reads "PARAMONTANA GOLDEN FOX PICTURES". Taking the place of the absent lion, Segurito and Front Row Joe pop up into the center of the ribbon and introduce themselves. The set is raised upwards like it is part of the set on a stage, leaving just the Paramount Mountain and Columbia-TriStar clouds backdrop as purple curtains close over that too, leaving Segurito and Front Row Joe on the stage. Segurito speaks for a bit, before Front Row Joe holds up a green button labeled "SALIDA DE EMERGENCIA". We then see two audience members, a boy with goggles and headphones and a short haired girl with a green headband. Front Row Joe pops up behind them, startling them a little. We see from his point of view as he looks around the theater before locating the exit. Segurito enters from said exit, and leads the others, including the first appearance of the reoccurring boy with glasses, out of the theater. We iris into everyone entering the lobby as the boy with glasses panics. Segurito explains something to him, and Front Row Joe points at a green sign with the text "Via de Evacuación" and an arrow pointing right on it, which gets a full screen view. Front Row Joe walks up to an old lady and wiggles his eyebrows at her, almost like he is flirting. They link arms so that he can help her leave, but he walks a bit too fast and the lady is less like she is walking with him and more like she is getting dragged. Segurito explains as the glasses boy helps a woman in a wheelchair out of the theater. Outside the theater, the glasses boy and wheelchair girl catch up as Front Row Joe walks out with the old lady at a pace much more her speed, though she keeps stealing Front Row Joe's popcorn. By the end of it, there is no popcorn left, as Front Row Joe demonstrates by tipping the bucket sideways. Everyone laughs as we zoom out of the scene to see the surrounding parking lot. The same title card as "Dentro de la Película" closes the trailer.
  • En la Playa ("On the Beach") (2010): We pan over a Cinemark theater lobby as people walk about. Segurito and Front Row Joe are talking to each other. They get interrupted when the kid with glasses crashes into the latter. They start talking to him as well. After some dialogue, the boy drops his RealD 3D Glasses into a collection bin and points Segurito and Front Row Joe to a beach outside. Joe and Segurito are very excited about the beach. We then cut to Front Row Joe, having changed into a pink t-shirt, dancing with other beachgoers. Segurito himself dances for a second, before stopping to give safety tips. Front Row Joe is hiding in the sand, buried up to his head and wearing a sand pail as a hat. A kid with headphones (who previously appeared in "Evacuación") looks at his watch startled, as Joe has turned into his watch hands. As his arms are the same length, it is hard to tell if it is 11:20 or 4:55. He then slides into a chair next to a shirtless boy, wearing a Cinemark "C" ball cap and shades. He tells the boy some sort of short pseudo-rap as someone shoves a tank top and shades onto him. We pan down from a shot of the sun and flying gulls to see Front Row Joe surrounded by umbrellas. Segurito applies sunscreen to himself as Joe again pops up from the sand with his sand pail hat, causing everyone to laugh. We iris into the same cartoon title card-inspired sunburst as before, with the "ESTA FUE OTRA CARICATURA DE" text already there. Segurito opens a hole for himself to say a line as the logos start to draw themselves in like before. Front Row Joe opens another hole for himself and puts on shades while saying a line of his own. He points at the audience while Segurito adjusts his goggles and gives a thumbs up.
  • Vamos a Cinemark ("Let's Go to Cinemark") (2011): We iris into a theater with purple curtains and Segurito and Front Row Joe on stage. They pull back the curtains to reveal a rockstar with a pompadour and golden microphone, who starts to sing. The background changes to a theater lobby, and the rockstar gets trampled by a crowd of excited running kids. They line up to meet Segurito and Front Row Joe as the injured singer rises from the floor with circling birdies and a cast in a sling on one of his arms. He sings to the kid with the headphones (in his third appearance) as he eats popcorn, and gets shushed by the headband girl from "Evacuación" and the glasses boy. The headphones boy finishes a drink he had and drops it into a gold trash bin held by Segurito, as Front Row Joe gives a thumbs up. The rockstar kicks down the aisle as a kid hastily yanks away his backpack and skateboard that were in his way. The kids carry the rockstar as we get a shot focusing on a green ACHS-branded exit sign that says "Salida de Emergencia" on it. He gets carried out the door past two Cinemark employees. We turn around from them to see a screen showing a globe. A sunburst and clouds appear behind it as Segurito and Front Row Joe start running on the globe. The kids start running behind them as airplanes pulling filmstrips with the Cinemark logo and popcorn bags fly past. We then turn back to the audience as the kids prepare to watch the movie. We pan to Segurito and Joe, standing up rather than seated, and zoom out to place them onto the left side of the screen as the background turns white. They say some lines as the logos draw themselves in and their URLs type themselves it to their right.
  • De Vuelta al Colegio ("Back to School") (2011): On the same beach from "En la Playa", Segurito and Front Row Joe talk excitedly as Joe puts on shades and Segurito drinks a glass of lemonade, before leaning back to relax in their chairs. "Hola, muchachos", says the kid with glasses in a tired voice as he walks past them wearing a red backpack. Segurito and Front Row Joe freak out upon realizing that the school year is starting, and the beach behind them turns into a movie poster in the Cinemark theater on the wall behind them, "La Playa Solitaria" ("The Lonely Beach"). They freak out again when the glasses boy, mindlessly walking into the road, almost gets run over by a truck, barely stopping as it zooms past the trio. Front Row Joe demonstrates looking both ways before crossing the street. A clock-like yellow line wipe effect transitions to next scene, where Segurito and Joe are laughing with each other, but the kid with glasses seems very tired. Joe takes off his backpack to see what is wrong, and it turns out that it is very heavy, heavy enough to make Joe fall to the ground like he picked up a cartoon anvil. He does appear fine enough to give a thumbs up as stars swirl around his head. While Segurito and the boy casually talk, Front Row Joe is given a serious physical and mental workout trying to get all the heavy things out of the boy's bag, which include a refrigerator, a radio, an old television, a tire, a washing machine, a cello, and a tricycle. The boy notices he's late and freaks out. He runs straight to school, but his shoelaces are untied and he trips on them before getting caught from the fall by Front Row Joe catching him by the backpack. The boy ties his shoes afterwards, prompting Joe to point out that he runs around everywhere in his bare paws without wearing any shoes. Everyone laughs at this. We iris into the same endcard as "En la Playa".
  • Basura ("Trash") (2011): Segurito, Front Row Joe, and the boy with glasses walk out of the Cinemark theater together as Joe throws something away. They are terrified as their path suddenly gets blocked by a giant monster made of trash bags with an evil laugh. Joe runs away, leaving the other two behind, though it is revealed that he is running aimlessly in the background. With text on the screen accompanying it, the trash monster introduces itself as "BASURA MUTANTE COCHINA ASQUEROSA PUTREFACTA QUE LOS DESTRUIRÁ A TODOS!!!" ("MUTANT TRASH ROTTING DISGUSTING PIG THAT WILL DESTROY THEM ALL!!!") Determined to fight back, Segurito grabs Front Row Joe's tail before he can flee. "RRR" appears on screen as Segurito and Joe have a transformation sequence. Joe gets a metal plate on his left arm, while Segurito gets a pack on his back with the recycling symbol and a vacuum tube. Segurito explains how lights should be turned off when not in use as we see a close-up of Joe's hand flicking a switch. Joe, who has achieved the same transformation as Segurito despite us only seeing part of his, explains reusing as we see his hand give an empty bottle to a vendor, who hands him a filled soda bottle in return. Notheless, La Basura Mutante taunts them, pointing out that they only mentioned two ways to defeat it. The kid with glasses yells in retaliation as Segurito and Front Row Joe start to shoot their recycling machines like Proton Packs from Ghostbusters at the trash. Bag by bag, it gets sucked into the packs. The kid with glasses presses a button on a remote control, and trapdoors open up from the bottom of the recycling machines, freeing recycled paper, glasses, bottles, and alphabet blocks (which conveniently fall so that there are three "R" blocks and three with arrows that form the recycling symbol) made from the trash to fall to the ground. We then see a poster/title card in a '50s monster "B-movie" style of Segurito and Front Row Joe shooting at La Basura Mutante. The title of the film, in an equally era-appropriate font, is "SEGURITO Y EL GATO JOE VS LA BASURA MUTANTE". Wearing 3D glasses, Joe cheers for the movie in the audience. Joe, Segurito, who is holding 3D glasses, and the boy, who is also wearing 3D glasses, speak to the audience before the scene irises out. The trailer simply ends there, with no endcard.
  • Ingles en 3D ("English in 3D") (2012): We see a close-up high-rez shot of Front Row Joe's face. He is wearing glasses, and the word "ENGLISH" from the book he is reading is reflected into them. Segurito runs over to greet him, which startles him enough to throw his book, "INGLES 3D" in the air. The book falls to the ground anticlimactically, so Joe reaches for it. However, the book lets out a massive light, sucking him and Segurito into it. The surreal English-speaking country imagery that appears in the pages of the book as we warp through the void include Uncle Sam, Big Ben, a telephone booth, a hamburger with fries, The Beatles, and the English words "TURN OFF YOUR PHONE" and "SNACKS". Front Row Joe and Segurito are now floating around the void inside the book. It coincidentally resembles the Craggle dream plane from Fraggle Rock: Back to the Rock quite a bit, but has English theater-related terms like "SNACKS" and "CINEMA" floating around. Front Row Joe is relaxed enough in this dimension to lean back with his arms behind his head. He quizzes Segurito on the English word for "salida", which he incorrectly guesses is "danger". Joe gives the correct answer, "EXIT", while throwing the word at Segurito. Amused by the game, Segurito bounces on the stacked yellow text "BASURERO" while quizzing Joe on the English word for that term and catapulting off it to fly through the void. Front Row Joe correctly states "TRASHBIN", as the word floats in in blue. Segurito and Front Row Joe fall as if they are skydiving as the former asks for the English word for "amigo". Joe answers that it is "GOOD FRIEND", and the two bounce off an orange, balloon-like example of the text back into the air as the letters fall apart. They leave the book to return to the theater lobby. As Joe picks up the book, an English speaking cat that looks a lot like Poochy from The Simpsons taps both of them on the shoulder, saying "hello, guys". Noting that hello is "hola" in English, Front Row Joe says "hello, good friend!" He prompts Segurito to speak to him. He struggles before giving his best attempt at English: "exit, trashbin, good friend, hello!" Crickets chirp in the awkward silence that follows before everyone laughs. It irises out on the face of the English speaking cat. Again, there is no end card.
    • There is a variant of this trailer on the Zumbastico Studios YouTube channel where everything is shown in two side-by-side double screens, almost like it is getting viewed with 3D glasses.

Trivia: One of the posters in "Vamos a Cinemark" is of the logo for BITLS, one of the animation studios involved in the trailers.

Technique: 2D animation by Zumbastico Studios and BITLS.

Music/Sounds: Depends on the variant.

Availability: Extinct.

Legacy: These are the last known Cinemark trailers with Front Row Joe.

14th Opening (2018, Detetives do Prédio Azul 2: O Mystério Italiano promotional variant) (Brazil)


Logo: The three main characters of Detetives do Prédio Azul 2: O Mystério Italiano - a boy in green, a boy in yellow, and a girl in red - walk into a Cinemark theater investigating with their flashlights. The girl speaks to the audience excited, turning her flashlight off. We swipe over to a scroll on the wall with an ancient-looking font, reading "Pista Número 1" ("Clue Number 1") and "Tem sempre uma saída de emergência perlo de você." ("There is always an emergency exit close to you.") The kids look closer at the scroll with their flashlights. We see shots of them checking the theater with their magnifying glasses, and further shots of them studying the scroll, until an alarm goes off, with an animated version of a flashing light in the bottom corner of the screen, and the kids scatter. The boy in yellow speaks to the audience as the bottom right corner shows animated cameras - one digital, one video - get "no" signs drawn over them. The girl comes in from the right and rests her hand on his shoulder as she explains more to the audience, and the corner animation now shows a cell phone get the "no" sign drawn over it. We see a shot of her legs running up the stairs, then swipe to another shot of her reading another clue scroll, accompanied by corner animation of a fire extinguisher. Swiping again, we now see the trio seated in the theater with popcorn and drinks. The disclaimer "A Cinemark nâo responsabiliza por objetos esquecidos na sala." ("Cinemark is not responsible for objects left in the room.") briefly appears below. They speak to each other and the audience, at one point shooting finger guns towards the viewer. The logo for the film slams onto a black background, kicking up blue dust. It reads "D.P.A. O FILME 2: O MYSTÉRIO ITALIANO", with "D.P.A." in red and yellow, the rest of the text in blue, two blue footprints in the top right corner, and two horizontal green lines framing everything. It zooms out so that the Cinemark logo can slam into its former place. The logo is swiped to the left so that it, in turn, can be replaced with the Prevent Senior logo.

Technique: Live action with some 2D animation.

Music/Sounds: A whimsical detective-like string theme, which turns more "Italian sounding" at the end, as well as the dialogue, "swiping" noises, the alarm, and the sounds of the animated cameras.

Availability: Extinct. Was used to promote Detetives do Prédio Azul 2: O Mystério Italiano.

15th Opening (2018, Spider-Man: Into the Spider-Verse promotional variant) (Brazil)


Logo: We seen Miles Morales as Spider-Man and Gwen Stacy as Spider-Woman as they appear in the Spider-Verse movies, diving off of skyscrapers in New York as a "leap of faith". Their descent is shown through four split-screen shots. They then thwip out their webs and land onto the ground in front of a Cinemark. They talk to each other as they walk into the theater. Miles and Gwen swing into their seats, the former carrying popcorn and drinks and using his invisibility power. They unmask, only for Miles' thoughts to wander, as shown by a comic book-style yellow text box appearing above him: "SERÁ QUE EU ESQUECI DE CONVIDAR O PETER?" ("DID I FORGET TO INVITE PETER?" Gwen asks about the missing Peter as Miles makes up an excuse. On the theater screen, Peni Parker and SP//der are taking selfies. The disclaimer "É proibibo filmar e fotografar" ("Filming and photography is prohibited") appears below them. Noticing they were caught, the girl and robot appear shocked as Peni hastily throws her phone into SP//der's stomach. She hops off of SP//der, who sparks from the foreign object inside him, as Gwen thwips Miles' phone away from him, the former smirking as the latter gives a nervous smile. Back on screen, Spider-Man Noir lights up a lighter, with the disclaimer below reading "Em caso de incêndio extintores estrategicamente localizados e brigada de incêndio para auxiliar" ("In case of fire, strategically located extinguishers and brigade will assist"). We zoom out to see Peni to his left with a fire extinguisher. She sprays the extinguisher, but little comes out. SP//der, however, sprays enough out of a giant can that it completely covers Spider-Man Noir, giving a goofy poorly-drawn smile. Behind Miles and Gwen, Peter B. Parker enters the theater, carrying a pack of bottles. They are very annoyed with him for this, and the disclaimer explains why: "não é permitido entrar com latas e garrafas" ("it is not allowed to enter with cans and bottles"). Peter gets the memo and leaves. Again watching the screen, everything is in black and white. Many people are sitting in a theater. We pan to the left to a staircase, which all the lights shine onto. Spider-Man Noir leaps down the staircase and speaks to the viewers, his cape billowing in the (improbable for a theater) wind. His cape takes up the whole screen, and upon wiping away forms the disclaimer "As saídas de emergência estão estrategicamente localizadas, para abrir a porta basta empurrar a barra" ("The emergency exits are strategically located, to open the door just push the bar"). Alongside the disclaimer, we see Spider-Man Noir swing towards an emergency exit. He raises his foot high into the air and screams as if he is going to dramatically take it down, but instead his foot gently pushes the door open, and he politely presents the door with his hat off. Peter reenters the theater, now next to Miles, with a drink and hot dog. Below is the disclaimer "A Cinemark nâo se responsabiliza por objetos esquecidos na sala." ("Cinemark is not responsible for objects left in the room.") Despite his snack, he still steals a handful of popcorn from Miles. He then tries to thwip Gwen's drink to himself, and does successfully steal a sip, but Gwen thwips it back. On the screen, we see the Portuguese title and logo for the film: "HOMEM-ARANHA: NO ARANHAVERSO". On a blue gradient background with English copyright info below, we see, in rapid succession, the film's release month "JANEIRO" ("JANUARY"), the Cinemark logo, and the Prevent Senior logo.

Technique: CGI animation, presumably by Sony Pictures Imageworks.

Music/Sounds: The opening "leap of faith" is accompanied by a dramatic theme. The rest of the trailer has the characters' dialogue and a narrator of all the theater rules throughout, as well as appropriate sound effects like webs "thwipping".

Availability: Extinct. Was used to promote Spider-Man: Into the Spider-Verse.

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