Vijayshri Pictures: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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'''Availability:''' Extremely rare. Seen on ''Mahima Kashi Vishwanath Ki''.
'''Availability:''' Extremely rare. Seen on ''Mahima Kashi Vishwanath Ki''.


=== {{Ordinal|2}} Logo (August 6, 2005) ===
=== 2nd Logo (August 6, 2005) ===
<gallery mode="packed" heights="200">
<gallery mode="packed" heights="200">
Vijayshri Pictures (2005).jpeg
Vijayshri Pictures (2005).jpeg

Revision as of 14:27, 16 December 2022


Not to be confused with Vijayashree Pictures.



1st Logo (January 1, 2003)

Logo: The logo begins with a sepia-toned copy of the Revolution Studios logo, but when the text "Revolution" appears, "In Film Making" flashes in at the bottom. It then cuts to the beginning of the 6th Columbia Pictures logo, but it plays in reverse. After it zooms in to the sunburst of the torch, "Vijayshri Pictures" in red on a black background, fades in. It then flashes, and fades out.

Technique: The animation of the stolen logos.

Music/Sounds: Gusts of wind before the logo appears. Then, a lightning strike when the logo transitions from the Columbia Pictures logo and a one-note heroic fanfare that ends with several drum beats.

Availability: Extremely rare. Seen on Mahima Kashi Vishwanath Ki.

2nd Logo (August 6, 2005)

Logo: On a white textured background, a shiny blue "VP" zooms out and lands in the center, as the text "Vijayshri Productions" in blue zooms in at the bottom of "VP".

Technique: The zoom out of the "VP" and the company's name zooming in.

Music/Sounds: TBA.

Availability: Rare. Seen on Rooh.


3rd Logo (April 19, 2013)


Logo: We start with the camera panning across "VIJAYSHRI" in gold laying flat. After the camera passes by all the letters, said text fades and zooms in with "PRODUCTIONS" flashing in by one letter. A light blue, transparent flag shape fades in underneath "PRODUCTIONS".

Technique: CGI animation.

Music/Sounds: The 1984 THX Deep Note.

Availability: Rare. Seen on World Of Fashion.

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