Bloom Media

From the Audiovisual Identity Database, the motion graphics museum

Revision as of 00:42, 11 December 2022 by imported>LunaMedia


1st Logo (2012?-2016)


Logo: It begins with a dark background with blue light-like objects, where we see a lots of multicolored flowers and plants. The scenes then zooms out, and zooms it again even the camera moves to the position showing more flowers and a plants. When it done zooming far, it shift it out, and revealing the "BLOOM" in a geometric font, used for the next logo, which it faces and rotates to the angle of camera, and fits in distance, revealing the full shot of the logo. All of these are set on a dark screen filled with faint purple & blue glow on the edge of the screen.

Technique: Great CGI.

Music/Sounds: Silent, or other films like Unlocked had the opening theme accompanies it.

Availability: Very uncommon.

  • It was notably appeared on Unlocked (2017) and The Sea of Trees (2015).
  • Don't expect to see this on other films as those had replaced by other distributors logos in the United States.

2nd Logo (2016-2021?)


Logo: We see a white light that draws the infinity symbol, and the light dies down, and it turns into soild white, and reveals the words "BL" and "M" reading "BLOOM". The font for the wordmark is similar to the previous logo, but placed on a black background.

Technique: The light drawing, the text extending and lights dimming. Nice CGI from Prologue.

Music/Sounds: Like the previous logo, it is silent or had the opening theme of the movie.

Availability: More easier to find than previous logo, but is also very uncommon, and is no longer currently in use.

  • First debuted on the international sales release of The Nice Guys (2016), and can be seen on some international prints of their releases by the company.
  • Notable releases that have the logo include Suburbicon (2017) (as a variant, while closing logo is seen at the end of credits), Dragged Across Concrete (2018), Hostiles (2017), High Strung Free Dance (2018), and Rebel in the Rye (2017)
  • Don't expect to see this on the international release of The Informer (2019).
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