Cutler Productions

From the Audiovisual Identity Database, the motion graphics museum

Revision as of 04:17, 14 January 2024 by Sanicspeed3 (talk | contribs)

Background

This is R.J. Cutler's vanity card. It was formerly known as Actual Reality Pictures.

Actual Reality Pictures

First logo (2000-2001?)

Visuals: On a white background is the stacked pink-purple text

ACTUAL
REALITY

With a small "PICTURES, INC." next to it.

Technique: Computer animation.

Audio: A high-pitched man's voice saying "Hey man, trust me dude".

Availability: Seen on American High


2nd Logo (2003-2008)

Visuals: On an off-white background,

ACTUAL REALITY
PICTURES

appears. It lightly zooms out to reveal that it is enclosed in a TV tube in a black square, which is enclosed in another off-white TV tube also within a black square before finally showing a third tube, this time on a black background. After all of this, each tube quickly cuts out one-by-one starting from the back.

Technique: Computer-controlled animation.

Audio: A temple block theme that begins with a brief static touch, followed by a static touch for each screen disappearing. Sometimes, it's silent.

Availability: Seen at the end of The Real Roseanne Show, 30 Days, the unaired pilot to Underexposed, Flip That House, and Black. White.


Cutler Productions

Logo (October 10, 2012-)

Visuals: On a black background with a dark gray center and dark blue lighting on either side, the words "CUTLER PRODUCTIONS" blur in, with "CUTLER" being partially enclosed in a light teal thin "C". There is small faint blue light on the left that slowly moves downward, creating a reflective flare on the other side that moves opposite, in addition to glowing the logo a little.

Variant: An in-credit version appears on Listen to Me Marlon, shared with the Passion Pictures logo.

Tecnique: Computer animation.

Audio: A soft synth warble with two twinkles. Otherwise, it's the closing theme.

Availability: Seen on the first season of Nashville, Listen to Me Marlon, The World According to Dick Cheney, and Dear...

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