Farid Al-Atrash Movies: Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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'''Visuals:''' Against a revolving white burst on a black background, a treble note is in front of a cut portion of a white five-line staff on a black canvas. "فريد الأطرش", in white and with a black shadow facing the bottom right, is within a |
'''Visuals:''' Against a revolving white burst on a black background, a treble note is in front of a cut portion of a white five-line staff on a black canvas. "فريد الأطرش", in white and with a black shadow facing the bottom right, is within a gray ribbon and underneath the treble note. |
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'''Technique:''' A painted cel image and practical effects. |
'''Technique:''' A painted cel image and practical effects. |
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Revision as of 11:42, 9 August 2024
Compiled by
Camenati
Camenati
Logo (March 17, 1947-December 3, 1959)
.jpg)
Visuals: Against a revolving white burst on a black background, a treble note is in front of a cut portion of a white five-line staff on a black canvas. "فريد الأطرش", in white and with a black shadow facing the bottom right, is within a gray ribbon and underneath the treble note.
Technique: A painted cel image and practical effects.
Audio: A dramatic and bombastic, arabesque orchestrated horn fanfare.
Audio Variants:
- Between 1952 and 1953, an alternate, louder bombastic brass fanfare was used.
- Some films contain the film's opening theme.
Availability:
- The logo with the normal soundtrak is seen on The Last Lie, Don't Tell Anyone, Pledge of Love, and Because of My Love.
- The instances where the alternate soundtrack was used are seen only on I Want to Get Married and The Song of My Heart.
- The instances where the opening theme was heard are seen on The Love of My Life, I Love You Only, and How Can I Forget You.
