Momo Pictures: Difference between revisions
From the Audiovisual Identity Database, the motion graphics museum
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'''Visuals:''' On a black background, a small white hole emerges in the center and expands. It quickly zooms into a white room showcasing a surrealistic sequence consisting of multiple people emerging from or entering doors in various angles and directions. The most notable shot includes a white man in red entering a room, staring at the screen on the right side of the screen, and leaving the black space as the hole zooms out and groups itself with other vertical rectangular holes opened by other people. The man re-enters the center hole alongside a woman in a |
'''Visuals:''' On a black background, a small white hole emerges in the center and expands. It quickly zooms into a white room showcasing a surrealistic sequence consisting of multiple people emerging from or entering doors in various angles and directions. The most notable shot includes a white man in red entering a room, staring at the screen on the right side of the screen, and leaving the black space as the hole zooms out and groups itself with other vertical rectangular holes opened by other people. The man re-enters the center hole alongside a woman in a turquoise hijab moving into one that is resting to on the top set of bar's bottom right. Afterwards, the screen zooms into the center hole in a perspective effect, changing the background back to black. The same holes in white fade in on the left next to "'''MOMO PICTURES'''", alongside "陌陌影业" in a 4x3 and 2x2 format respectively. |
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'''Technique:''' Oil pastel animation. |
'''Technique:''' Oil pastel animation. |
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[[Category:Chinese film logos]] |
[[Category:Chinese film logos]] |
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[[Category:Film logos]] |
[[Category:Film logos]] |
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[[Category:Chinese-language logos]] |
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Latest revision as of 04:13, 30 September 2024
Compiled by
Camenati
Camenati
Logo (March 24, 2023)
_(From_-_The_Best_Is_Yet_To_Come).png)
Visuals: On a black background, a small white hole emerges in the center and expands. It quickly zooms into a white room showcasing a surrealistic sequence consisting of multiple people emerging from or entering doors in various angles and directions. The most notable shot includes a white man in red entering a room, staring at the screen on the right side of the screen, and leaving the black space as the hole zooms out and groups itself with other vertical rectangular holes opened by other people. The man re-enters the center hole alongside a woman in a turquoise hijab moving into one that is resting to on the top set of bar's bottom right. Afterwards, the screen zooms into the center hole in a perspective effect, changing the background back to black. The same holes in white fade in on the left next to "MOMO PICTURES", alongside "陌陌影业" in a 4x3 and 2x2 format respectively.
Technique: Oil pastel animation.
Audio: An atmospheric and dreamy xylophone and percussions soundtrack in G major.
Availability: It appears on The Best Is Yet To Come.
