Ramya Films: Difference between revisions
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{{PageCredits|capture=Tabit|video=Caleb Jeremiah Talk To Logos}} |
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===Background=== |
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{{DescriptionsIncomplete}} |
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'''{{PAGENAME}}''' was a film production company from India. |
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'''Logo:''' TBA |
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'''FX/SFX''': The revelation of the statue and the zooming out of the logo. |
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{{YouTube|id=Tw1i9UsM8yM}} |
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'''Visuals:''' There is a silhouette of a statue of a hindu goddess against a purple-red-yellow gradient background. A light illuminates the statue, as the camera starts to zoom away to reveal more of the statue. The statue is in a golden texture and is on top of a flower lotus, which is also on top of a red pedestal containing the company's name in yellow with a bunch of petals surrounding it. |
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'''Technique:''' Live-action. |
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'''Editor's Note''': This logo can be jarring because of the overused Hindi effects along with the fanfare and the psychedelic background, but the logo isn't any more scarier than that. |
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{{Indian film logos}} |
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{{Film logos}} |
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[[Category:Indian film logos]] |
[[Category:Indian film logos]] |
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[[Category: |
[[Category:India]] |
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[[Category:Film logos]] |
[[Category:Film logos]] |
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Latest revision as of 06:22, 25 August 2024
Captures by
Tabit
Video captures courtesy of
Caleb Jeremiah Talk To Logos
Tabit
Video captures courtesy of
Caleb Jeremiah Talk To Logos
Background
Ramya Films was a film production company from India.
Logo (November 9, 1980)
Visuals: There is a silhouette of a statue of a hindu goddess against a purple-red-yellow gradient background. A light illuminates the statue, as the camera starts to zoom away to reveal more of the statue. The statue is in a golden texture and is on top of a flower lotus, which is also on top of a red pedestal containing the company's name in yellow with a bunch of petals surrounding it.
Technique: Live-action.
Audio: A melody with a tampura, some xylophones, and a synth bell that repeats when the logo goes. It gets louder and louder as its illumination is complete.
Availability: Seen on Subbi Subbaka Suvvalaali.
