Nippon Animation: Difference between revisions

From the Audiovisual Identity Database, the motion graphics museum

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===Background===
Zuiyo Eizo officially split onto two entities on March 1975, the second incarnation of Zuiyo, continued licensing and distribution duties of Zuiyo's pre-75 work (''Heidi'', ''Maya the Bee'', ''Vic the Viking''), while '''Nippon Animation''' was created to oversee future productions, while continuing to produce installments in Zuiyo's famous ''World Masterpiece Theater'' series. Officially, '''Nippon Animation Co., Ltd.''' was established on 3 June 3, 1975 by company president Kōichi Motohashi.
 
=====Logo (June 12, 1975-)=====

Revision as of 08:04, 29 September 2024


Background

Zuiyo Eizo officially split onto two entities on March 1975, the second incarnation of Zuiyo, continued licensing and distribution duties of Zuiyo's pre-75 work (Heidi, Maya the Bee, Vic the Viking), while Nippon Animation was created to oversee future productions, while continuing to produce installments in Zuiyo's famous World Masterpiece Theater series. Officially, Nippon Animation Co., Ltd. was established on June 3, 1975 by company president Kōichi Motohashi.

Logo (June 12, 1975-)

Visuals: Superimposed on the show,s opening and/or ending sequence os the Nippon Animation wordmark, which consists of the text "日本アニメーション" in a cubic-style script, usually in white.

Technique: A superimposed hand-painted and later, digital graphic.

Audio: The opening or closing theme of the show.

Availability: Seen on all Nippon Animation productions, beginning with later episodes of Vic the Viking and Maya the Bee.

Zuiyo Eizo
Nippon Animation
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