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'''Visuals:'''
*'''Opening:''' Same as the final Warner Bros. Cartoons logo, but the background is now
*'''Closing:''' The "A WARNER BROS. CARTOON" line is changed to add in the Seven Arts information and the abstract WB is replaced by the W7 logo, which merely "appears" at the beginning of the end title without any forming animation. The "OO" goes up and down three times fast now.
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* A black-and-white version of the logo exists, with the background being grey and the W7 shield and "PRESENTS" in black. The ending has most of the text in white, with the bouncing "OO"s in black.
* Another black-and-white variant of the opening variant exists where the background is black and the W7 shield and "PRESENTS" in white.
* A special variation was created for a drug abuse educational short film by Warner-Seven Arts Animation, which was shown to Lockheed Aircraft employees in 1969. The animation plays as usual, but when the horizontal lines open up, there is the white text "REVIEW DRUG EFFECTS; CARTOON #6; FOCUS ON THIS FRAME".
'''Technique:''' Traditional and motion-controlled animation.
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* Another black-and-white version was spotted on a print of the 1940 short ''Ali-Baba Bound''.
'''Legacy:''' This logo has a bad reputation for appearing on another unpopular era for Warner Bros. cartoons (in this case, the Seven Arts-era), to the point where low-quality "remixes" and YouTube Poops of said cartoons (popularized by YouTubers such as Zak Wolf) were made.
{{Chronology|[[Warner Bros. Cartoons]]|[[Warner Bros. Animation]]<br>[[Turner Entertainment Co.]]}}
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In 1967, Warner Bros. Cartoons was reopened under the management of studio head David H. DePatie and director Friz Freleng, who previously formed DePatie-Freleng Enterprises to continue production on Looney Tunes and Merrie Melodies. The studio was named Warner Bros.-Seven Arts Animation after its then-current parent company. Initially, they produced more Daffy and Speedy cartoons, but soon moved to create new characters and even occasional experimental works. After a year, Alex Lovy left and returned to Hanna-Barbera, and Robert McKimson was brought back to the studio. The studio shut down in 1969, although it would later reopen as Warner Bros. Animation in 1980, remaining in operation to this day.
Visuals:
Variants:
Technique: Traditional and motion-controlled animation.
Audio: A newer version of the Warner Bros. Cartoons music by William Lava.
Availability: Seen on every Looney Tunes and Merrie Melodies cartoon from Cool Cat to Injun Trouble (the one directed by Robert McKimson).
Legacy: This logo has a bad reputation for appearing on another unpopular era for Warner Bros. cartoons (in this case, the Seven Arts-era), to the point where low-quality "remixes" and YouTube Poops of said cartoons (popularized by YouTubers such as Zak Wolf) were made.
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