No edit summary |
Added captures of the 1971, 1984, 1989, and 1993 logos, italicized many titles, and other minor edits. |
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Availability: Extinct. It was used concurrently with the NET logo from 1970 to 1971 mid-season as a placeholder logo (the NET logo appeared at the start of Our Vanishing Wilderness and at the end of the first few broadcasts of Realities during that season) and then quickly replaced with the 2nd logo. |
Availability: Extinct. It was used concurrently with the NET logo from 1970 to 1971 mid-season as a placeholder logo (the NET logo appeared at the start of Our Vanishing Wilderness and at the end of the first few broadcasts of Realities during that season) and then quickly replaced with the 2nd logo. |
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Though PBS officially went on the air on October 5, 1970, it had actually been formed the year before, in 1969, with the logo allegedly premiering on the Hollywood Television Theatre pilot, "The Andersonville Trial", and appearing on the first season thereof. It also appeared on the Grateful Dead concert program Calebration and the initial broadcasts of the Fanfare episode "Go Ride the Music", featuring Jefferson Airplane and Quicksilver Messenger Service (a bootleg DVD preserves it). |
Though PBS officially went on the air on October 5, 1970, it had actually been formed the year before, in 1969, with the logo allegedly premiering on the ''Hollywood Television Theatre'' pilot, "The Andersonville Trial", and appearing on the first season thereof. It also appeared on the Grateful Dead concert program ''Calebration'' and the initial broadcasts of the ''Fanfare'' episode "Go Ride the Music", featuring Jefferson Airplane and Quicksilver Messenger Service (a bootleg DVD preserves it). |
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The logo was likely seen on the fourth season of Mister |
The logo was likely seen on the fourth season of ''Mister Rogers' Neighborhood'' and the second season of ''Sesame Street'', but modern prints have featured either the 1971 or 1989 logo. It was also seen on some of the earliest known extant episodes of WNET's ''Soul!'', the first season of ''The Great American Dream Machine'', and the first ''Masterpiece Theatre'' serials (from ''The First Churchills'' to ''Pere Goriot''). |
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It was found on a 1971 episode of Firing Line, which was uploaded to YouTube on January 26, 2017, and is also retained on a few other early episodes thereof. A repeat of the series premiere of Realities, as well as other episodes including "If Eugene Talmadge Were Alive Today...", and the Black Journal episode "Justice?" also have this logo. |
It was found on a 1971 episode of ''Firing Line'', which was uploaded to YouTube on January 26, 2017, and is also retained on a few other early episodes thereof. A repeat of the series premiere of ''Realities'', as well as other episodes including "If Eugene Talmadge Were Alive Today...", and the ''Black Journal'' episode "Justice?" also have this logo. |
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In what appears to be the first known live presentation snafu in the network's history, President's Report on Indochina, which replaced the first planned broadcast of The Nader Report following a delay stemming from objections from the oil companies regarding that show's political content, starts playing the voiceover over a title card reading "An NET News Special"; due to the video file hosted by the American Archive of Public Broadcasting cutting out at that moment, it is currently unknown whether this logo actually appeared on that program. |
In what appears to be the first known live presentation snafu in the network's history, President's Report on Indochina, which replaced the first planned broadcast of ''The Nader Report'' following a delay stemming from objections from the oil companies regarding that show's political content, starts playing the voiceover over a title card reading "An NET News Special"; due to the video file hosted by the American Archive of Public Broadcasting cutting out at that moment, it is currently unknown whether this logo actually appeared on that program. |
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Editor's Note: This logo is rather infamous as it is the hardest PBS logo to find because of its incredibly short lifespan. In all likelihood, this was developed as a placeholder logo during the NET to PBS transition, hence why the color scheme is the same as the last NET logo. For many years, the only circulating copy was one of very poor quality, and it had barely any information regarding its source. What was known is that it came from "Go Ride the Music", and even then many casual observers failed to connect it with Fanfare for years. However, by the late 2010s, the additional copies mentioned above have come to light, giving the community a few additional captures of this very elusive ID. It has also been found that the original poor quality soruce comes from a TVARK recording. |
Editor's Note: This logo is rather infamous as it is the hardest PBS logo to find because of its incredibly short lifespan. In all likelihood, this was developed as a placeholder logo during the NET to PBS transition, hence why the color scheme is the same as the last NET logo. For many years, the only circulating copy was one of very poor quality, and it had barely any information regarding its source. What was known is that it came from "Go Ride the Music", and even then many casual observers failed to connect it with Fanfare for years. However, by the late 2010s, the additional copies mentioned above have come to light, giving the community a few additional captures of this very elusive ID. It has also been found that the original poor quality soruce comes from a TVARK recording. |
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=== 2nd Logo (Late Summer 1971-September 30, 1984; June 1, 2000) === |
=== 2nd Logo (Late Summer 1971-September 30, 1984; June 1, 2000) === |
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[[File:PBS (1971-1984) 20200817 032955.png|center|240px]] |
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Nicknames: "P-Head and Friends", "PBS P-Head", "The Tri-Colored Everyman P-Heads", "The Tri-Colored PBS Logo", "The Tri-Heads from/of Hell/Doom" |
Nicknames: "P-Head and Friends", "PBS P-Head", "The Tri-Colored Everyman P-Heads", "The Tri-Colored PBS Logo", "The Tri-Heads from/of Hell/Doom" |
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Variants: |
Variants: |
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* On the April 19, 1977 broadcast of The MacNeil/Lehrer Report, half the logo is chyroned over footage of the studio where the show was taped at the time; said footage cuts away almost immediately after the S pops up. |
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* On the 1977 "Go Public" promo, the entire logo is seen minus the text below. Also, the "B" is red and the logo is shifted to the middle. Then, the "B" and "S" move away in opposite directions while the "P" moves from the left into the middle. |
* On the 1977 "Go Public" promo, the entire logo is seen minus the text below. Also, the "B" is red and the logo is shifted to the middle. Then, the "B" and "S" move away in opposite directions while the "P" moves from the left into the middle. |
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* On some broadcasts of The MacNeil/Lehrer Report, |
* On some broadcasts of ''The MacNeil/Lehrer Report'', the blue slant in the show's title expands diagonally, resulting in a solid blue screen that matches the blue "P." The logo then plays as usual. |
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* On the April 19, 1977 edition of ''The MacNeil/Lehrer Report'', the above variant was executed incorrectly, resulting in the logo being keyed over the final shot of the show. The black background cut back in after the "S" appeared. |
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* There were two different endings: one with a fadeout, and one without a fadeout. |
* There were two different endings: one with a fadeout, and one without a fadeout. |
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* On an episode of Alvin Toffler's The Third Wave, the P-Head is green. This is most likely due to videotape deterioration. |
* On an episode of Alvin Toffler's The Third Wave, the P-Head is green. This is most likely due to videotape deterioration. |
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* A still version was used for program breaks. |
* A still version was used for program breaks on very long programs, such as the BBC Shakespeare plays. |
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* Another still version with a different font for the text was used on The Ford Carter Debates Pre-Debate Discussion. |
* Another still version with a different font for the text was used on The Ford Carter Debates Pre-Debate Discussion. |
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FX/SFX: Cel animation. |
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FX/SFX: An abstract "P" zooms out and turns into a "head" with an eye cutout, as it pans to make way for a "B" and "S". As the company name rhythmically pops in, similar cutouts appear on the "B" and "S". |
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Music/Sounds: A telephone-like synthesizer scale descending rapidly, followed by 5 synthesizer tones as the black dots appear; there is an echo in the final note. Composed by Paul Alan Levi, using a EMS VCS3 Putney synthesizer. |
Music/Sounds: A telephone-like synthesizer scale descending rapidly, followed by 5 synthesizer tones as the black dots appear; there is an echo in the final note. Composed by Paul Alan Levi, using a EMS VCS3 Putney synthesizer. |
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Music/Sounds Variants: |
Music/Sounds Variants: |
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* On We Interrupt This Week, a short-lived game show produced for PBS by WNET in 1978, the regular music was replaced by a male choir singing very loudly, "Happy birthday to you!!". This audio was taken from the episode itself and used as a liner for this variant. The source of the audio from this episode was when the host played a video of the male choir singing the song to a woman (the birthday recipient). If one listens carefully at the beginning of this variant, the normal music can be faintly heard underneath. |
* On ''We Interrupt This Week'', a short-lived game show produced for PBS by WNET in 1978, the regular music was replaced by a male choir singing very loudly, "Happy birthday to you!!". This audio was taken from the episode itself and used as a liner for this variant. The source of the audio from this episode was when the host played a video of the male choir singing the song to a woman (the birthday recipient). If one listens carefully at the beginning of this variant, the normal music can be faintly heard underneath. |
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* The Southbound episode "Mouth Music" had an acapella version of the logo's music. |
* The ''Southbound'' episode "Mouth Music" had an acapella version of the logo's music. |
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* A low tone variant exists. |
* A low tone variant exists. |
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* The program break variant may have a voiceover, different than the previous logo, which also says, "This is PBS, the Public Broadcasting Service." In other cases, this is silent. |
* The program break variant may have a voiceover, different than the previous logo, which also says, "This is PBS, the Public Broadcasting Service." In other cases, this is silent. |
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* A prototype logo was found on episodes of Firing Line from September 18 and October 2, 1971, which shows the logo completely formed, with the same announcer from before saying "This is PBS, the Public Broadcasting Service". |
* A prototype logo was found on episodes of ''Firing Line'' from September 18 and October 2, 1971, which shows the logo completely formed, with the same announcer from before saying "This is PBS, the Public Broadcasting Service". |
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* |
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Availability: |
Availability: |
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Uncommon. Due to replacement with newer logos and newer shows, it was extremely rare in recent years. However, DVD releases and streaming have made it easier to find. |
Uncommon. Due to replacement with newer logos and newer shows, it was extremely rare in recent years. However, DVD releases and streaming have made it easier to find. |
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* One of the logo's first appearances was on Jude the Obscure, broadcast as part of Masterpiece Theatre between October 3 and November 7, 1971; the prototype logo appeared on a few episodes of Firing Line in the late Summer of that year. Also made a sneak appearance on a few 1977-82-era episodes of The Dick Cavett Show on Decades. |
* One of the logo's first appearances was on ''Jude the Obscure'', broadcast as part of ''Masterpiece Theatre'' between October 3 and November 7, 1971; the prototype logo appeared on a few episodes of ''Firing Line'' in the late Summer of that year. Also made a sneak appearance on a few 1977-82-era episodes of ''The Dick Cavett Show'' on Decades. |
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* The logo plays on many episodes of The MacNeil/Lehrer Report (later The MacNeil/Lehrer NewsHour) from the era, available for viewing on the American Archive of Public Broadcasting website. Many episodes of Seasons 2-5 of This Old House also retain this logo on the show's official website. Don't expect to see this on MacArthur Library tapes of programs from the era. |
* The logo plays on many episodes of ''The MacNeil/Lehrer Report'' (later ''The MacNeil/Lehrer NewsHour'') from the era, available for viewing on the American Archive of Public Broadcasting website. Many episodes of Seasons 2-5 of ''This Old House'' also retain this logo on the show's official website. Don't expect to see this on MacArthur Library tapes of programs from the era. |
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* The logo can be found on the DVD sets The Best of the Electric Company and Sesame Street: Old School. In the latter case, this logo replaces the NET and 1970 PBS logos on the respective episodes. The DVD of Zoom: Back to the 70s has this logo and the original WGBH logo. The Great American Dream Machine also has this at the end of each episode on Volumes 1, 2, and 4, and at the end of the final episode on Volume 3. |
* The logo can be found on the DVD sets ''The Best of the Electric Company'' and ''Sesame Street: Old School''. In the latter case, this logo replaces the NET and 1970 PBS logos on the respective episodes. The DVD of ''Zoom: Back to the 70s'' has this logo and the original WGBH logo. ''The Great American Dream Machine'' also has this at the end of each episode on Volumes 1, 2, and 4, and at the end of the final episode on Volume 3. |
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* The U.S.A. Home Video/International Video Entertainment release of the Hollywood Television Theatre pilot, "The Andersonville Trial", also has this, plastering the previous logo, as do the VHS and DVD of The Scarlet Letter, a DVD for KERA's coverage of the 1981 Van Cliburn International Piano Competition, and the occasional Vestron Video VHS of Nova, such as "The Science of Murder". |
* The U.S.A. Home Video/International Video Entertainment release of the ''Hollywood Television Theatre'' pilot, "The Andersonville Trial", also has this, plastering the previous logo, as do the VHS and DVD of The Scarlet Letter, a DVD for KERA's coverage of the 1981 Van Cliburn International Piano Competition, and the occasional [[Vestron Video]] VHS of ''Nova'', such as "The Science of Murder". |
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* Apart from the occasional appearance in select promos and as archive footage in documentaries and public affairs programs, this made its last known appearance on PBS itself on the 2000 rebroadcast of The Lathe of Heaven, also appearing on the subsequent VHS and DVD release that same year. |
* Apart from the occasional appearance in select promos and as archive footage in documentaries and public affairs programs, this made its last known appearance on PBS itself on the 2000 rebroadcast of The ''Lathe of Heaven'', also appearing on the subsequent VHS and DVD release that same year. |
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* The logo can be found on Twitch.tv and Amazon.com prints of color Mister Rogers' Neighborhood episodes that PBS last aired before 1990 (final airdates here), sometimes plastering the NET logo - this includes episodes 1271, 1300, 1309, and 1324 on Amazon; and the 1988 PBS Video release of the episode "Death of a Goldfish", which had this logo until 2017, after which it was itself plastered by the 2013 PBS Kids logo on the 2018 rebroadcast. |
* The logo can be found on Twitch.tv and Amazon.com prints of color ''Mister Rogers' Neighborhood'' episodes that PBS last aired before 1990 (final airdates here), sometimes plastering the NET logo - this includes episodes 1271, 1300, 1309, and 1324 on Amazon; and the 1988 PBS Video release of the episode "Death of a Goldfish", which had this logo until 2017, after which it was itself plastered by the 2013 PBS Kids logo on the 2018 rebroadcast. |
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* Other sightings of this logo include KETC's 50th anniversary special and WTVS' analog-to-digital sign-off (although in the latter, only the last part of the logo plays--the part where dots appear in the S with "SERVICE" appearing below--before cutting to WTVS' program intro tag from the 1970s, both with generic piano music played over the logos). The anniversary specials for KPTS and KVIE also had this logo, but, the logo just "pops" up one letter at a time in KPTS' 40th anniversary special, while a still logo can be seen in KVIE's 50th anniversary special. It also appears in full on Won't You Be My Neighbor?, a 2018 documentary about Fred Rogers. |
* Other sightings of this logo include KETC's 50th anniversary special and WTVS' analog-to-digital sign-off (although in the latter, only the last part of the logo plays--the part where dots appear in the S with "SERVICE" appearing below--before cutting to WTVS' program intro tag from the 1970s, both with generic piano music played over the logos). The anniversary specials for KPTS and KVIE also had this logo, but, the logo just "pops" up one letter at a time in KPTS' 40th anniversary special, while a still logo can be seen in KVIE's 50th anniversary special. It also appears in full on ''Won't You Be My Neighbor?'', a 2018 documentary about Fred Rogers. |
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* This has appeared occasionally on later PBS programs that reference their older materials, including a PBS NewsHour segment on Sonia Manzano (Maria from Sesame Street) from 2015 and This Old House 40th Anniversary. |
* This has appeared occasionally on later PBS programs that reference their older materials, including a ''PBS NewsHour'' segment on Sonia Manzano (Maria from ''Sesame Street'') from 2015 and ''This Old House'' 40th Anniversary. |
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Editor's Note: Many individuals who grew up during this logo's time period have strong memories of it -- whether fond or otherwise. The loud synthesizer music freaked out a few people in its day, but now this logo stands for nostalgia more than anything else. |
Editor's Note: Many individuals who grew up during this logo's time period have strong memories of it -- whether fond or otherwise. The loud synthesizer music freaked out a few people in its day, but now this logo stands for nostalgia more than anything else. |
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=== 3rd Logo (September 30, 1984-September 17, 1989; May 9, 1994)=== |
=== 3rd Logo (September 30, 1984-September 17, 1989; May 9, 1994)=== |
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[[File:PBS (1984-1989) 20200817 033230.png|240px|center]] |
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Nicknames: "Split Profile", "The Everyman/Everyperson P", "PBS P-Head II", "The Split". |
Nicknames: "Split Profile", "The Everyman/Everyperson P", "PBS P-Head II", "The Split". |
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Trivia: |
Trivia: |
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* Using the "P" in the previous logo as a basis, this logo (and the accompanying slab serif font) was designed and animated by Chermayeff & Geismar, a firm also responsible for many other logos such as the Screen Gems "S" and the 1986 NBC peacock. The logo debuted at the PBS annual meeting on March 30, 1984, and made its first network appearance six months later to the day. |
* Using the "P" in the previous logo as a basis, this logo (and the accompanying slab serif font) was designed and animated by Chermayeff & Geismar, a firm also responsible for many other logos such as the [[Screen Gems Television|Screen Gems]] "S" and the 1986 NBC peacock. The logo debuted at the PBS annual meeting on March 30, 1984, and made its first network appearance six months later to the day. |
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* Despite being created on a 60-field system, this logo runs at 240p. |
* Despite being created on a 60-field system, this logo runs at 240p. |
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Availability: Common. It appeared on old prints of PBS shows produced from 1984-89. Can also be found on early PBS Home Video releases from the '80s; just look for a banner with the P Head on the left and "PBS VIDEO" filling the entire rest of the banner. |
Availability: Common. It appeared on old prints of PBS shows produced from 1984-89. Can also be found on early [[PBS Home Video]] releases from the '80s; just look for a banner with the P Head on the left and "PBS VIDEO" filling the entire rest of the banner. |
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* The logo allegedly made its first appearance on the Nature episode "Krakatoa: The Day That Shook the World", broadcast on September 30, 1984. This is surprisingly easy to find on Time-Life Video tapes of Nature, most often with the 1987 WNET logo at the start. |
* The logo allegedly made its first appearance on the ''Nature episode'' "Krakatoa: The Day That Shook the World", broadcast on September 30, 1984. This is surprisingly easy to find on [[Time-Life Video]] tapes of ''Nature'', most often with the 1987 WNET logo at the start. |
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* The logo has also appeared on the 1994 rebroadcast and 1995 PBS Video reissue of Pyramid, part of a series of architectural documentaries hosted by David Macaulay, even though earlier installments had this (and the earlier logo, in the case of Castle) plastered with the 1992 logo in the same reissue of the series. It also appeared on the 1997 Turner Home Entertainment release of Spaceflight. |
* The logo has also appeared on the 1994 rebroadcast and 1995 PBS Video reissue of ''Pyramid'', part of a series of architectural documentaries hosted by David Macaulay, even though earlier installments had this (and the earlier logo, in the case of ''Castle'') plastered with the 1992 logo in the same reissue of the series. It also appeared on the 1997 Turner Home Entertainment release of ''Spaceflight''. |
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* In an oddity, recent prints of the 1976 miniseries The Adams Chronicles, including the DVD release, end with both this (preserved from a 1987 rebroadcast) and the 2006 WNET logo. |
* In an oddity, recent prints of the 1976 miniseries ''The Adams Chronicles'', including the DVD release, end with both this (preserved from a 1987 rebroadcast) and the 2006 WNET logo. |
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* The logo showed up on the Twitch.tv prints of episodes #1417 and #1456 of Mister Rogers' Neighborhood. |
* The logo showed up on the Twitch.tv prints of episodes #1417 and #1456 of ''Mister Rogers' Neighborhood''. |
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* This logo has plastered the previous logo on rebroadcasts from the era of Christmas Eve on Sesame Street, The Nutcracker, and earlier episodes of Great Performances and This Old House. |
* This logo has plastered the previous logo on rebroadcasts from the era of ''Christmas Eve on Sesame Street'', ''The Nutcracker'', and earlier episodes of ''Great Performances'' and ''This Old House''. |
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* It made a surprise appearance on Milwaukee Public TV's 50th anniversary special. |
* It made a surprise appearance on Milwaukee Public TV's 50th anniversary special. |
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* The last known appearance of this logo on television was in 2009 on UNC-TV after an episode of Lap Quilting with Georgia Bonesteele |
* The last known appearance of this logo on television was in 2009 on UNC-TV after an episode of ''Lap Quilting with Georgia Bonesteele''. |
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* This logo can also be viewed at the end of many episodes of The ''MacNeil/Lehrer Newshour from the era'', available for viewing on the American Archive of Public Broadcasting website. |
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* The Square One |
* The ''Square One TV'' variant is elusive, as available copies of the first episode omit the variant, leading to speculation if this variant is real or not. Furthermore, the only footage of this variant (as seen embedded on this page) is considered a fake or a recreation by many. |
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Editor's Note: While this logo has not been seen on television for many years, it is still very highly regarded and is a favorite of many. |
Editor's Note: While this logo has not been seen on television for many years, it is still very highly regarded and is a favorite of many. |
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=== 4th Logo (September 15, 1989-July 31, 1993; November 20, 1995) === |
=== 4th Logo (September 15, 1989-July 31, 1993; November 20, 1995) === |
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[[File:PBS (1989-1993) 20200817 033435.png|240px|center]] |
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Nicknames: "3D Glass", "Transparent Blue P-Head", "Merging Glass P-Head", "PBS P-Head III" |
Nicknames: "3D Glass", "Transparent Blue P-Head", "Merging Glass P-Head", "PBS P-Head III" |
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=== 5th Logo (January 4, 1993-September 4, 1996) === |
=== 5th Logo (January 4, 1993-September 4, 1996) === |
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Nicknames: "Orange CGI P-Head", "Glass P-Head", "Pink P-Heads", "PBS P-Head IV", "Pink PBS Logo" |
Nicknames: "Orange CGI P-Head", "Glass P-Head", "Pink P-Heads", "PBS P-Head IV", "Pink PBS Logo" |
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[[File:PBS (1993-1996) 20200817 033635.png|240px|center]] |
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Logo: On a pink/orange lighted background, several transparent ellipses revealing people faces appear and disappear one at a time. Then we zoom out through a circle, which turns out to be the eye in the PBS P-Head standing on a floor, made from glass. To the left of the P-Head, the text "PBS" rotates to face the screen. |
Logo: On a pink/orange lighted background, several transparent ellipses revealing people faces appear and disappear one at a time. Then we zoom out through a circle, which turns out to be the eye in the PBS P-Head standing on a floor, made from glass. To the left of the P-Head, the text "PBS" rotates to face the screen. |
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This page describes regular PBS idents. For special (non-regular) idents, click here
The Public Broadcasting Service, known on air as PBS, is a publicly funded non-profit distribution service (founded on November 3, 1969) that serves a variety of television stations in the United States, as well as some areas of Mexico and Canada. PBS replaced its predecessor NET in October 5, 1970 with some of their original affiliates being KPBS in San Diego, WNET in New York, WGBH in Boston, and KCET in Los Angeles. PBS has over 350 affiliates today, mostly owned by educational institutions.
Nicknames: "The Text", "The Text of Boredom", "Multi-Colored/Tri-Colored Text", "Public Boredom Service"
Logo: Just a black background with the words:
PUBLIC BROADCASTING SERVICE
in the Helvetica font stacked on top of each other in red, yellow, and blue.
Variant: On Firing Line, instead of fading in, the logo cuts in from the CPB logo.
FX/SFX: None.
Music/Sounds/Voice-over: An announcer, MacDonald Carey, says "This is PBS, the Public Broadcasting Service." Later programs used a different announcer.
Music/Sounds/Voice-over Variant: On Calebration, the opening theme plays over this logo, and there is no announcer.
Availability: Extinct. It was used concurrently with the NET logo from 1970 to 1971 mid-season as a placeholder logo (the NET logo appeared at the start of Our Vanishing Wilderness and at the end of the first few broadcasts of Realities during that season) and then quickly replaced with the 2nd logo. Though PBS officially went on the air on October 5, 1970, it had actually been formed the year before, in 1969, with the logo allegedly premiering on the Hollywood Television Theatre pilot, "The Andersonville Trial", and appearing on the first season thereof. It also appeared on the Grateful Dead concert program Calebration and the initial broadcasts of the Fanfare episode "Go Ride the Music", featuring Jefferson Airplane and Quicksilver Messenger Service (a bootleg DVD preserves it). The logo was likely seen on the fourth season of Mister Rogers' Neighborhood and the second season of Sesame Street, but modern prints have featured either the 1971 or 1989 logo. It was also seen on some of the earliest known extant episodes of WNET's Soul!, the first season of The Great American Dream Machine, and the first Masterpiece Theatre serials (from The First Churchills to Pere Goriot). It was found on a 1971 episode of Firing Line, which was uploaded to YouTube on January 26, 2017, and is also retained on a few other early episodes thereof. A repeat of the series premiere of Realities, as well as other episodes including "If Eugene Talmadge Were Alive Today...", and the Black Journal episode "Justice?" also have this logo. In what appears to be the first known live presentation snafu in the network's history, President's Report on Indochina, which replaced the first planned broadcast of The Nader Report following a delay stemming from objections from the oil companies regarding that show's political content, starts playing the voiceover over a title card reading "An NET News Special"; due to the video file hosted by the American Archive of Public Broadcasting cutting out at that moment, it is currently unknown whether this logo actually appeared on that program.
Editor's Note: This logo is rather infamous as it is the hardest PBS logo to find because of its incredibly short lifespan. In all likelihood, this was developed as a placeholder logo during the NET to PBS transition, hence why the color scheme is the same as the last NET logo. For many years, the only circulating copy was one of very poor quality, and it had barely any information regarding its source. What was known is that it came from "Go Ride the Music", and even then many casual observers failed to connect it with Fanfare for years. However, by the late 2010s, the additional copies mentioned above have come to light, giving the community a few additional captures of this very elusive ID. It has also been found that the original poor quality soruce comes from a TVARK recording.
Nicknames: "P-Head and Friends", "PBS P-Head", "The Tri-Colored Everyman P-Heads", "The Tri-Colored PBS Logo", "The Tri-Heads from/of Hell/Doom"
Logo: On a black background, an abstract blue P zooms out to the top portion of the screen. The "P" turns into a P-shaped head facing left with the text "PUBLIC" appearing underneath (this set and the later lines of text underneath being set in ITC Avant Garde); both move to the left side of the screen. An abstract orange B pops in to the right of the P-Head and two black dots form the holes within the B (the latter dot coinciding with the text "BROADCASTING" appearing below "PUBLIC"). An abstract green S appears to the right of the B; two black dots cut the inner curves of the S as the text "SERVICE" appears below "BROADCASTING" (coinciding with the second dot). The final text stack reads:
PBS
PUBLIC
BROADCASTING
SERVICE
Trivia: This logo was designed by Herb Lubalin, also responsible for the aforementioned Avant Garde. Lubalin and his design team have theorized numerous concepts before settling on the final draft:
Variants:
FX/SFX: Cel animation.
Music/Sounds: A telephone-like synthesizer scale descending rapidly, followed by 5 synthesizer tones as the black dots appear; there is an echo in the final note. Composed by Paul Alan Levi, using a EMS VCS3 Putney synthesizer.
Music/Sounds Variants:
Availability: Uncommon. Due to replacement with newer logos and newer shows, it was extremely rare in recent years. However, DVD releases and streaming have made it easier to find.
Editor's Note: Many individuals who grew up during this logo's time period have strong memories of it -- whether fond or otherwise. The loud synthesizer music freaked out a few people in its day, but now this logo stands for nostalgia more than anything else.
Nicknames: "Split Profile", "The Everyman/Everyperson P", "PBS P-Head II", "The Split".
Logo: On a black background, a blue P-head appears on the upper-mid screen, facing backwards. A piece, unofficially called "The Split", comes out to the right and settles itself about half an inch away. The text "PBS" appears below in a slab serif font, which was designed specifically for PBS (called "ITC Lubalin Graph Bold").
Trivia:
Variants:
FX/SFX: The P-head "splits" as a fragment of the logo stretches away.
Music/Sounds: A majestic piano chord, followed by six string pizzicato tones, and then a softer version of the piano chord. Composed by Jonathan Elias.
Music/Sound Variants:
.
Availability: Common. It appeared on old prints of PBS shows produced from 1984-89. Can also be found on early PBS Home Video releases from the '80s; just look for a banner with the P Head on the left and "PBS VIDEO" filling the entire rest of the banner.
Editor's Note: While this logo has not been seen on television for many years, it is still very highly regarded and is a favorite of many.
Nicknames: "3D Glass", "Transparent Blue P-Head", "Merging Glass P-Head", "PBS P-Head III"
Logo: On a black background, a side-facing transparent dark blue P-head folds to the right, leaving behind a residue trail of "P-Heads". The residue trail fades into the PBS logo from before, which settles itself in the center of the screen, occupying almost all of it. Several multi-colored lines wipe across the bottom of the screen, leaving the text "PBS" in the same font as before to the bottom left.
Trivia:
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Variants:
FX/SFX: The P-head folds, leaving behind a trail as it settles in the center of the screen. Multicolor lines wipe in to form the PBS logotype.
Music/Sounds/Voice-over: A long held-out string note combined with synth bells (played on a Roland D-50 using the Fantasia preset) and chimes, followed by an announcer (probably Peter Thomas, who also did the funding credits voiceovers for The MacNeil/Lehrer NewsHour, Nova, and A World of Ideas at the time) saying "This is PBS".
Music/Sounds/Voice-over Variants:
Availability: Rare. As with other vintage PBS logos, the chance of showing up on TV now is almost nothing, but some PBS Home Video releases from the era may have it. Just look for a square in the top-left corner of the front of the box with "PBS VIDEO" below a P-head.
Don't expect to see this on the PBS Video release of The Civil War, which uses the off-air version (it appeared on the 1990 broadcast version, but not the Pacific Arts release of the same). Editor's Note: The logo is well-liked for its nice animation and soft music.
Nicknames: "Orange CGI P-Head", "Glass P-Head", "Pink P-Heads", "PBS P-Head IV", "Pink PBS Logo"
Logo: On a pink/orange lighted background, several transparent ellipses revealing people faces appear and disappear one at a time. Then we zoom out through a circle, which turns out to be the eye in the PBS P-Head standing on a floor, made from glass. To the left of the P-Head, the text "PBS" rotates to face the screen.
Trivia:
Variant: There is a completely still variant with a male or female announcer saying, "This is PBS, the Public Broadcasting Service." This was used for program breaks. The same still variant, without the announcer, would be substituted in place of the "Viewers Like You" credit on Ken Burns' The West.
FX/SFX: Several ellipses appear before the camera zooms out to reveal the P-Head. The PBS logotype flips in.
Music/Sounds/Voice-over: A funky piano and choir boogie tune, followed by an announcer (Chris Murney, the voice of Elisha Hunt Rhodes in Ken Burns' The Civil War) who says "This is PBS." The music was composed by Peter Fish, who has also done music for CBS News.
Music/Sounds/Voice-over Variant: There is a rare variant that exists without the voice-over. This was seen on the aforementioned mini-documentary Making the PBS Logo, which was used as a filler program for when there was time left at the end of any program.
Availability: Uncommon.
Editor's Note: This logo is highly regarded by the community due in part to its production process, done without resorting to primarily using computer animation.
Nicknames: "Auroras", "Metallic Blue", "The Blue Aurora P-Head", "Metallic P-Head", "PBS P-Head V"
Logo: Dark blue lights can be seen swirling and moving around over a blue aurora background. The PBS logo, seen in a similar fashion to the 3rd logo, sits over the lights. The logo is colored light blue with a slight tint of a teal color instead of being purple and white. The P-Head and text are metallic and the logo reflects the aurora and the lights moving around.
Trivia: This would be followed by one of seven themed bumpers PBS had in use back in the day, from a rebrand which PBS would later utilize in the next logo.
FX/SFX: Just the aurora and lights moving around, nothing else.
Music/Sounds/Voice-over: Chris Murney, the same announcer as the previous logo, says "You are watching PBS, viewer-supported public television."
Availability: Extinct. This was used between programs on PBS's satellite feed.
Editor's Note: This logo was a surprise discovery, largely because home recordings from the PBS satellite feed are very rare.
Nicknames: "Windows", "The PBS Windows III", "CGI Window", "PBS P-Head VI"
Logo: On a black background, a CGI window appears with a birds-eye view of the earth, a plastic globe spinning on the top right, and a telescope rotating on the bottom left. The pear-colored PBS P-Head (with the split colored light blue) appears in front of the window and grows smaller as the window grows bigger. As the two meet each other, the window disappears. Inside the P-Head are transparent images of two globes, a feather and a telescope. The P-Head takes its place in the top center of the screen and turns to light blue and aquamarine as the text "PBS" fades in below them.
Variant: Early editions of The NewsHour with Jim Lehrer that featured this logo had this fading in and out.
Trivia:
FX/SFX: Neat CGI effects.
Music/Sounds/Voice-over: A new age tune with guitars and flutes, followed by a female announcer (the late Lauren Bacall) who says "This is PBS."
Music/Sounds/Voice-over Variant: On some shows, Lauren Bacall says "You are watching PBS." This was used for program breaks.
Availability: Uncommon. It appears on TV sometimes, but PBS Home Video tapes are an easier way to find it.
Editor's Note: This logo has some very neat effects for the time as well as a calming theme.
Nicknames: "Acrobats", "Circle P-Heads", "PBS P-Head VII", "Circle PBS P-Head"
Logo: On a computer-generated green sky background, a person standing to the left covers his or her head with a black circle with the PBS P-Head on it in white. Acrobats jump from all directions off the circle. The text "PBS" appears to the right, with the URL www.pbs.org appearing below it. This is the last logo that used the words "This Is PBS". Also, throughout the ident, different things happen in the background: On all ten variants, there are tiny superimposed silhouettes of people flying in a circle behind the acrobats. On three out of ten of the variants, there are silhouettes of big wands briefly flying down behind the PBS text. And on the rest, there are silhouettes of people tip-toeing in an oval (a circle on the widescreen version) around the person.
Trivia:
Variants: Each time you see this logo, different people are holding the circle with the P-head on it, and the acrobats doing different kinds of tricks around the P-head circle. Here's a list of the men and women you see (that also includes the tricks the acrobats do) :
FX/SFX: The computer effects used to shrink the acrobats and superimpose them around the circle.
Music/Sounds/Voice-over: A brief synth swell and a 3-note flute fanfare, then a new age percussion/choir tune, followed by the female announcer from the previous logo (Lauren Bacall) who says "This is PBS." If you listen carefully, you can also hear a trombone and strings in the background as well. There is also a variant that exists with Lauren Bacall saying, "You are watching PBS." This was used for program breaks.
Availability: Rare.
Editor's Note: The many variations of this logo marked the beginning of a trend for PBS idents that continues to this very day. Like the last logo, this one also features very nice effects as well as a great musical theme.
Nicknames: "Stay Curious", "PBS P-Head VIII", "Circle PBS P-Head II"
Logo: Against an orange background, we see the PBS circle in a light yellow color with the P head being the same orange color as the background. The "P" Circle slowly eases back and fades out as four green circles appear and spread around the screen revealing smaller light yellow circles inside. Four more circles appear and the outer circles merge with the other circles before they begin spreading out. The PBS "P" Circle now in the standard black and white colors appears with a blur effect. Small circles form "pbs.org" below in a white calibri font.
Variants:
FX/SFX: The "P" Circle easing back and vanishing. The circles forming, spreading, merging, and spreading again. The blurring in of the PBS logo. The circles forming the pbs.org name. Typical early 2000's animation.
Music/Sounds/Voice-over: A three-note ascending tune (D, E, A); most likely played on sitar, Gibson Les Paul or a Rickenbacker 325 (put through a wah-wah pedal) and a voiceover saying "This is PBS."
Music/Sounds/Voice-over Variants: On the blue variant, one of two tunes was used:
Availability: Extinct.
Editor's Note: Very simple compared to the rest of the logos on here, but some may like its vaguely '60s-ish vibe.
Nicknames: “Be More”, “We Are PBS”, “I Am PBS”, "The Sienna Curtains", "PBS P-Head IX", "Circle PBS P-Head III", "Launch and Megatron Announce PBS"
Logo: We see a letterboxed clip show of live-action footage, filmed on a large set with hardwood floor and a background of shaggy raw sienna-colored curtains. Culturally and generationally diverse people are employed in the variants, each giving different performances on-camera. As the last clip plays, we see the “Circle P-Head” logo animating with the word "PBS" in the PMN Caecilia on the right and the slogan “Be more” on the left. The text has been modified a bit after the past 18 years. Throughout the bumper, a bug for the URL "pbs.org" is seen in the lower left corner.
Variants: Here are some of the variations that have been seen of late, with a list of the clips in each variant in chronological order:
There is another non-animated variant which is adapted from the 2004 PBS Distribution logo, which is normally shortened at the end except after a 29-minute program (usually from PBS Kids). As with the blue variant of the previous logo, this is being used as the national network ID on the satellite feed.
FX/SFX: Mostly live action, except for the logo animating at the end.
Music/Sounds/Voice-over: A majestic orchestral tune. The same tune is always used, but is rearranged for some variants and has a different voice-over (see above for examples).
Availability: No longer current, but it's still common, generally being preserved on reruns of older PBS programming, including the specials Lawrence Welk: Milestones and Memories, where it plasters the previous logo; Lawrence Welk: God Bless America, and Welk Stars Through the Years (the former two use the "Flowers" variant, while the latter uses the "Performers" variant). This wasn't used much for plastering, unlike previous logos, though it did appear on rebroadcasts of An Ice Cream Show from 2002 to 2018, when the original logo was surprisingly restored. Though the logo officially ended on September 27, 2009, the transition to the next logo would be staggered among programs, with programs such as Washington Week and Bill Moyers Journal among the earlier programs to make the transition. The satellite ID variant can still be seen on certain programs to this day, though usually promos and interstitials selected by the local PBS station are used instead (you might catch this if your station, by some random chance, e.g. during a transition to or from Daylight Savings Time, or late at night on KET2, or while technical difficulties are sorted out by the local station, broadcasts promos and interstitials from the standard PBS feed at any time for whatever reason).
Editor's Note: None.
Nicknames: "Be More II", "Be More, PBS", "PBS P-Head X", "Circle PBS P-Head IV"
Logo: We see a video of a person or people having activities. Suddenly, the PBS logo appears with "Be More" on the left and "PBS" on the right. The word "PBS" then changes to the URL "pbs.org". A voice-over says "Be More, PBS." as the logo animates.
Variants: Art Interacts: A man is walking in a street when he encounters a gigantic exotic Pine Green object that looks like a Rubik's-Cube slanted on its corner, which twirls around quite to the man's amusement. Big Dreams: An Ecru-clad woman and her son are in a mall. The kid looks through an astronaut helmet. Observing Child: A boy in a forest-green jacket is walking in a shallow lake with his doodling pad. Family Viewing: A family is looking through a telescope at the stars in the sky. Bluesman: Calvin Keys is playing the tune on his guitar while someone films it on camcorder. On Bluegrass Underground, this fades in and out. Photo Album: A man and his grandson are looking at old pictures of their African ancestors in a scrapbook. Symphony: A symphony orchestra performs the tune. The camera sees the violin, bass clarinet, marimba, cymbal and tuba. Strange Recipe: A storekeeper recommends a pineapple to his supermarket's customer. Generic: Sometimes, there is no live action footage; instead the logo is placed on a custom background with bubbles. The background is used in four different colors: blue, green, orange, and magenta. On some shows, an announcer says, "You're watching PBS". On the orange variant,"PBS" does not change to the URL. Masterpiece: A variant appears on episodes of Masterpiece. Clips from episodes of the anthology series are shown one by one over the blue background before the PBS logo appears as usual. The voiceover says, "Masterpiece, only on PBS." Retired as of November 10, 2019, it made its final appearance throughout the final PBS broadcast of Downton Abbey in June 2020. Antiques Roadshow: A variant appears on episodes of Antiques Roadshow. Clips from episodes are shown together over the orange background before the PBS logo appears as usual. The voiceover says, "Antiques Roadshow, only on PBS." Officially retired as of November 4, 2019, having last appeared on the program on October 28, 2019. Public Affairs: A variant appears on episodes of Frontline and Washington Week, as well as on the special America After Charleston. Depicted over the blue background are various public affairs personalities (as of 2016, Gwen Ifill, Judy Woodruff, Hari Sreenivasan, and Charlie Rose, in that order; early programs with this logo featured a different montage with a different slate of public affairs personalities), before the PBS logo appears as usual. The voiceover is the same as on the generic variants. This variant was retired following Ifill's death in November 2016, and with Charlie Rose having fallen from grace just over a year later it's safe to say this variant is gone for good. Generic (We'll Be Right Back): As with the previous logo, the generic logo (often using the blue or green version) is sometimes shown at the start of program breaks, with a voiceover saying, "This PBS program will return in a moment." Opening Variant: Against the blue background, the circle P-head appears in the center.
Trivia: Perhaps due to its appeal to a variety of audiences for the network, this is PBS's second longest-lasting ID, after their Everymen logo.
FX/SFX: Same as the 10th logo.
Music/Sounds/Voice-over: A 5-note tune, created by music company Expansion Team. Like the eighth logo, the same tune is always used, but is rearranged for some variants and has a different voice-over.
Availability: Currently in use on most PBS first-run shows. The variants are used randomly, as with the previous logos, on many programs, including Nova, This Old House, Motorweek, and The Woodwright's Shop; however, on certain programs you can always expect to see the following variants:
Editor's Note: While this logo is almost a decade old, its many variants over the years have kept it fresh.
Nickname: "21st Century PBS", "50 Years of PBS"
Logo:
Variants:
Trivia: This logo incorporates elements of the 1971, 1992, 2002, and 2009 logos, with emphasis on blues, live-action variants, and a quick zoom-out through the eye of the P-head.
FX/SFX: TBA
Music/Sounds/Voiceover:
Availability: Brand new. Formally announced on November 4, 2019, it debuted later that night on Antiques Roadshow's Extraordinary Finds and is expected to replace the 2009 PBS logo over the coming year. The opening variant debuted on Independent Lens, and the intermission variant debuted between the This Old House episode "Westerly: The Doors" and the Ask This Old House episode "Switch, Affordable Geothermal" as part of the November 14, 2019 edition of The This Old House Hour. Don't expect this on the 2020 rebroadcast of The Roosevelts: An Intimate History, as it uses the previous logo, though the extended bumpers appear among the post-episode content. It also plasters the previous logo on the final PBS broadcast of the final two episodes of Downton Abbey.
Editor's Note: A new modernization of the PBS logo for the digital age, and the first since the 1971 logo to not use serifs in its identity. However, the corporate brand unification the company has been pushing with this logo and the design itself seems to be garnering less favorable (initial) reactions compared to previous logos. Time will only tell if the community will warm up to this logo.