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'''Visuals:''' On a black background is a shining wall full of blue dots. As the screen zooms out, there is a close-up of someone's eye, the face of a character (possibly the Joker) with a menacing grin, and a man getting punched. As the camera finishes zooming out, the dots form the letters "'''''DC'''''" as a shooting star forms around them, and the words "'''DC COMICS'''" appear below the logo. The words and logo slowly zoom out before fading out. |
'''Visuals:''' On a black background is a shining wall full of blue dots. As the screen zooms out, there is a close-up of someone's eye, the face of a character (possibly the Joker) with a menacing grin, and a man getting punched. As the camera finishes zooming out, the dots form the letters "'''''DC'''''" as a shooting star forms around them, and the words "'''DC COMICS'''" appear below the logo. The words and logo slowly zoom out before fading out. |
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'''Trivia:''' |
'''Trivia:''' |
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* This logo was dubbed the "DC spin". |
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⚫ | * According to [https://www.awn.com/animationworld/imaginary-forces-making-living-turning-comics-film this contemporary article], two major challenges in designing the logo were not making it too similar to the Marvel logo (also designed by Imaginary Forces) and to balance DC's request for a more "cinematic" logo than Marvel with still keeping a comic book aesthetic. These are the reasons why the logo chooses to abstain from showing full comic pages like Marvel before it, instead showcasing them through dots of light. |
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'''Variants:''' |
'''Variants:''' |
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* On the final five seasons of ''Smallville'', ''The Science of Superman'', the short-lived ''Human Target'', various DC animated movies, and the ''Superman Returns'' game, the logo is shortened to the text shining. |
* On the final five seasons of ''Smallville'', ''The Science of Superman'', the short-lived ''Human Target'', various DC animated movies, and the ''Superman Returns'' game, the logo is shortened to the text shining. |
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* On all DC Showcase films, the logo fades into a poster in a comic book store, with the logos of Superman, ''Batman: The Brave and the Bold'' and ''Justice League Unlimited''. |
* On all DC Showcase films, the logo fades into a poster in a comic book store, with the logos of Superman, ''Batman: The Brave and the Bold'' and ''Justice League Unlimited''. |
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'''Technique:''' CGI done in Cinema 4D and Autodesk Maya, designed by Imaginary Forces. Directed by Charles Khoury, who would later direct the 2013 [[Marvel Studios]] logo. |
'''Technique:''' CGI done in Cinema 4D and Autodesk Maya, designed by Imaginary Forces. Directed by Charles Khoury, who would later direct the 2013 [[Marvel Studios]] logo. |
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'''Technique:''' CGI. |
'''Technique:''' CGI. |
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'''Audio:''' Either none or the opening theme of the movie. |
'''Audio:''' Either none or the opening theme of the movie. Sometimes, various sound effects are heard throughout the logo. |
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'''Audio Variant:''' On ''Teen Titans Go! To the Movies'' (albeit using a custom variant), it uses a dramatic orchestral fanfare, composed by Jared Faber. |
'''Audio Variant:''' On ''Teen Titans Go! To the Movies'' (albeit using a custom variant), it uses a dramatic orchestral fanfare, composed by Jared Faber. |
DC Studios, formerly known as DC Entertainment is the production arm of DC Comics. The company is a subsidiary of Warner Bros. Entertainment that manages its DC units and intellectual property (characters) in other units as they work with other Warner Bros. units. It also delves into those units within the DC Universe (DCU), formerly the DC Extended Universe (DCEU).
Visuals: Against a black or white background is the corporate DC Comics "DC bullet" logo (used from 1977-2005) in various color schemes, such as blue, black, orange, or gold.
Variant: On Batman: Rise of Sin Tzu, the logo is red.
Technique: CGI.
Audio: None.
Availability: It has hardly been seen on films or television series, but appears on numerous games based on the company's Batman, Catwoman, Justice League, and Superman franchises from 1996 to 2005.
Visuals: On a black background is a shining wall full of blue dots. As the screen zooms out, there is a close-up of someone's eye, the face of a character (possibly the Joker) with a menacing grin, and a man getting punched. As the camera finishes zooming out, the dots form the letters "DC" as a shooting star forms around them, and the words "DC COMICS" appear below the logo. The words and logo slowly zoom out before fading out.
Trivia:
Variants:
Technique: CGI done in Cinema 4D and Autodesk Maya, designed by Imaginary Forces. Directed by Charles Khoury, who would later direct the 2013 Marvel Studios logo.
Audio: A triumphant and heroic orchestral fanfare, composed by longtime DC Animated Universe music composers Kristopher Carter, Michael McCuistion and Lolita Ritmanis.
Audio Variants:
Availability: This logo is seen on DC-licensed products from 2005-13.
Visuals: The then-new DC Comics logo, which shows a solid silver letter "D", the text "DC COMICS" below it, and the byline "FROM DC ENTERTAINMENT" below the company name, rises up and tilts to face the camera. While this happens, the "D"s edge is peeled to reveal a "C" under it. The "C"s color varies.
Trivia: This logo was designed by Landor Associates, and is meant to represent the dual identity trope of the superhero genre, one identity peeling back to reveal the other.
Variants:
Technique: CGI.
Audio: None, or the opening theme of the movie.
Audio Variant: On some shows, the show's closing theme is used.
Audio Variants:
Availability: This logo is seen on DC-licensed products from 2012-16.
Legacy: This logo was widely criticized when it debuted, with the design considered a downgrade from the previous logo, as well as its animation, if any, being too simplistic. It was said to look more like a logo for a paper company than anything else.
Visuals: Against a gradient or a superimposed background, there is the DC Comics logo that varies since.
Variants: See this page for variants.
Technique: CGI.
Audio: Sound effects that correspond with the action, which varies from show to show.
Audio Variant: The Supergirl pilot has no music.
Availability:
Legacy: A favorite of fans of DC television programming.
Visuals: On a black background is a blue circle with the stylized letters "D" and "C" in it, similar to the 1972 DC Comics logo.
Trivia: This logo was designed by Pentagram.
Variants:
Technique: A still, digital graphic.
Audio: None, the movie's opening theme or the show's closing theme.
Availability: It appears on DC-licensed products from 2016-onward.
Legacy: This logo is considered by many to be a return to form and a great homage to the 1977 logo.
Visuals: The logo starts with the members of the Justice League (in order of appearance: Batman, Superman, Wonder Woman, Aquaman, Cyborg, The Flash, Green Lantern), which then transitions to multiple DC characters standing together. Everything zooms out to reveal the DC logo with a shiny texture.
Trivia: The imagery is based on comic book artist Alex Ross's artwork on DC Comics, particularly the "Kingdom Come" comic. The logo sequence itself was storyboarded by Gabe Crate.
Variants:
Technique: CGI.
Audio: Either none or the opening theme of the movie. Sometimes, various sound effects are heard throughout the logo.
Audio Variant: On Teen Titans Go! To the Movies (albeit using a custom variant), it uses a dramatic orchestral fanfare, composed by Jared Faber.
Availability: It first appeared on Wonder Woman (2017) and later appeared on various DC productions since. Used in tandem with the 4th and 5th logos.
Legacy: It's a favorite among DC fans, mainly due to demonstrating the expansiveness of the DC brand.
Visuals: On a yellow background, a classically-styled Superman, trapped within a brighter-yellow circle by chains, zooms out. He breaks his chains and strikes a pose. The circle flips over, revealing the classic DC "bullet" design in a blue gradient. The blue text "STUDIOS" flips in below it letter-by-letter.
Trivia: According to Peter Safran in this article from the Hollywood Reporter, this logo is inspired by Metro-Goldwyn-Mayer Studios and is intentionally simpler and not as busy as the logo for Marvel Studios.
Variants:
Technique: 2D computer animation in the style of Superman creator Joe Shuster's artwork.
Audio: A drumroll for the Superman sequence, followed by a 7-note heroic theme with the reveal of the logo.
Audio Variant: On Batman: Caped Crusader, the logo is silent.
Availability: Was revealed at San-Diego Comic Con on July 26, 2024, where the animated logo was shown. The first true appearance of the logo was on the teaser trailer for Creature Commandos released on the same day. According to this IGN article on the rebrand, the first film to use this logo will be Superman (2025). It later appeared on Batman: Caped Crusader, albeit as a variant.
Legacy: The return of the beloved "bullet" logo, not just here but across the entire DC brand, created a lot of positive buzz online, with many proclaiming that they missed the logo dearly.
Visuals: The camera zooms into an image of Batman, right down to the ink dots. Those ink dots rise up from the paper to form various shapes (the Superman shield, the Bat insigia, Batman himself) before forming into the D that covers the C logo.
Trivia: The logo is a precursor to the 3rd DC Comics logo used.
Technique: CGI by Matt Hartle.
Availability: Can only be seen in the form of style frames on Paul Hartle's website here.
Visuals: A group of long, blue, cylindrical bars rise up and glow, forming various comic-book illustration stills. These include a male eye, a close-up of a supervillain, and a portion of a comic book cover. The bars would flash and quickly soar off to form the next close-up for each illustration before the screen zooms out and they form the 2012 DC logo.
Trivia:
Technique: CGI by Matt Hartle, who also did the previous logo.
Availability: Can only be seen in the form of style frames on Paul Hartle's website here.
Visuals: Against a dark background, the screen zooms out of the Superman logo glowing in Superman's chest, with his eyes shooting red laser beams. The camera flies to Wonder Woman's chest while she crosses her arms to avoid a projectile. Then, a close-up of the Flash runs, and the screen zooms out to Green Lantern's ring shooting a beam while his fist is clenched. The screen then zooms out again to Batman flying on a blue-tinted background with flying debris. The logo zooms out to the debris as it reveals the then-current DC Comics logo.
Technique: CGI by Prologue. It can be seen on their website.
Audio: A triumphant orchestral fanfare.
Availability: Unused. Since DC rebranded its look in mid-2016, it was never seen on any DC-licensed products. The only way it can be viewed is on Prologue's Vimeo page.
Visuals: Various superhuman symbols (Superman's, Batman's, which becomes the Bat-Signal, Wonder Woman, and the Green Lantern) appear in black-and-white ink, surrounded by motion lines, which all lead to the same DC logo used in the Prologue prototype, but in black and white. The logo then turns to color.
Trivia: The logo is based on Frank Miller's art style.
Technique: CGI by Michael Daniels at Devastudios.
Audio: Unknown, as only style frames are available.
Availability: Can only be seen in the form of style frames on Michael Daniels' website here.
Visuals: Matter is formed from thin air, first becoming ground and gravel, then forming into pencil lead-like shapes, then black ink. Blue ink splashes across the gravel to form the 2016 DC logo, which zooms out.
Trivia: The logo is meant to represent the three main stages of a comic (pencil, ink, color) forming a cosmos.
Technique: CGI by Michael Daniels at Devastudios.
Audio: Unknown, as only style frames are available.
Availability: Can only be seen in the form of style frames on Michael Daniels' website here.
Visuals: Flows of blue and red-orange energy crisscross, illuminating various heroes and landscapes, and form the 2016 DC logo in a stormy light. The light fades, turning the logo blue.
Trivia: The logo is based on the existing DC Comics 52 Multiverse, and is meant to showcase the different realities as rivers leading to the source.
Technique: CGI by Michael Daniels at Devastudios.
Audio: Unknown, as only style frames are available.
Availability: Can only be seen in the form of style frames on Michael Daniels' website here.
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